SHIKI THEATRE COMPANY's 'シンバとスカーの対決' had a release date set for July 28, 1999. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. シンバとスカーの対決's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ディズニー ライオン キング ミュージカル (劇団四季), so we believe that "シンバとスカーの対決" is a single. Based on our statistics, シンバとスカーの対決's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of シンバとスカーの対決 by SHIKI THEATRE COMPANY is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Out There | Naoto Kaiho | C Major | 5 | 8B | 74 BPM | ||
| ミッキーマウス・マーチ | ジミー・ドッド, ネバーランド オーケストラ | G Major | 6 | 9B | 125 BPM | ||
| 民衆の歌 | Kenji Urai | A♭ Major | 5 | 4B | 98 BPM | ||
| ミニーのユー・フー! | Carl Stalling, ウォルト・ディズニー, 飯島多恵 | F Major | 2 | 7B | 119 BPM | ||
| 世界がひとつになるまで | 天野真希子, 吉澤摩耶, 杉並児童合唱団 | B♭ Major | 4 | 6B | 172 BPM | ||
| 早く王様になりたい | SHIKI THEATRE COMPANY | G Major | 7 | 9B | 103 BPM | ||
| ザ・トラベルナースのテーマ | 沢田 完 | D Major | 8 | 10B | 114 BPM | ||
| ジッパ・ディー・ドゥー・ダー(スプラッシュ・マウンテン) | ネバーランド オーケストラ | B♭ Major | 5 | 6B | 119 BPM | ||
| Out There - Japanese Version | Toshihide Mura, Kanji Ishimaru | F Minor | 2 | 4A | 126 BPM | ||
| ワン・デイ・モア | Claude-Michel Schönberg, 岡幸二郎 | A Major | 3 | 11B | 86 BPM | ||
| Baby Mine | Hiroko Kawiade, Natural Notes | B♭ Major | 2 | 6B | 98 BPM | ||
| 天空の城ラピュタメドレー | Joe Hisaishi, サキソフォックス | D♭ Major | 2 | 3B | 119 BPM | ||
| 正義のロードを突き進む! (BGM) | 大橋 恵 | D♭ Major | 7 | 3B | 118 BPM | ||
| 帝都大学 - ~2022~ | Yugo Kanno | C Minor | 1 | 5A | 120 BPM | ||
| 神よ何故?(ミス・サイゴン) [Live at Yomiuri Otemachi Hall, 2020/11/6] | 小野田龍之介 | C Major | 3 | 8B | 79 BPM | ||
| 絶望のどん底で | SHIKI THEATRE COMPANY | E♭ Major | 5 | 5B | 134 BPM | ||
| 篤姫(メインテーマ) | Ryo Yoshimata | F Major | 6 | 7B | 142 BPM | ||
| Hellfire | Kiyomichi Shiba, Male Ensemble-Shiki Theatre Company, Choir-Shiki Theatre Company | C Minor | 6 | 5A | 101 BPM | ||
| 民衆の歌 - 2022 Live Version | Kanji Ishimaru, 石川 禅, 今井 清隆, 坂元 健児 | B♭ Minor | 0 | 3A | 136 BPM | ||
| 夢やぶれて(「レ・ミゼラブル」より) | Seiko Niizuma | A Major | 7 | 11B | 100 BPM | ||
| エレクトリカル・パレード | Chisako Takashima, 12 Violinists | D Major | 3 | 10B | 135 BPM | ||
| 東城大学医学部付属病院 | Hideakira Kimura | F Major | 0 | 7B | 120 BPM | ||
| 今この時 - 2025 Live Version | Kanji Ishimaru, 石川 禅, 今井 清隆, 坂元 健児, Yoshio Inoue | B♭ Major | 6 | 6B | 87 BPM | ||
| Defying Gravity ~ 自由を求めて | Naoto Kaiho | F♯ Major | 5 | 2B | 82 BPM | ||
| 心の瞳 | Yoshio Inoue | A Major | 2 | 11B | 80 BPM |