Philip Glass, Matt Haimovitz's ' "The Secret Agent for Solo Cello" was released on its scheduled release date, September 1, 2017. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philip Glass, Matt Haimovitz's "Glass: Partitas For Solo Cello" album is number 8 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Secret Agent for Solo Cello is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Secret Agent for Solo Cello by Philip Glass, Matt Haimovitz to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Domingo Carnaval | Huancavelicana | F♯ Major | 2 | 2B | 105 BPM | ||
| G Song | Terry Riley, Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
| 3 Pieces in Baroque Style: I. Aria | Krzysztof Penderecki, Sinfonia Varsovia | D Minor | 3 | 7A | 95 BPM | ||
| Invitation to the Voyage | Julia Kent | D Minor | 4 | 7A | 180 BPM | ||
| Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian | B Minor | 0 | 10A | 135 BPM | ||
| Souvenir de Florence, Op. 70, TH 118: IV. Allegro vivace | Pyotr Ilyich Tchaikovsky, Emerson String Quartet, Paul Neubauer, Colin Carr | D Minor | 3 | 7A | 137 BPM | ||
| String Quartet No. 4: V | Michael Nyman, Camilli String Quartet | F Major | 5 | 7B | 149 BPM | ||
| Hammers | Nils Frahm | B♭ Minor | 5 | 3A | 136 BPM | ||
| Requiem for Cello Alone: VI. Lux aeterna | Peter Sculthorpe, Pieter Wispelwey | B Major | 3 | 1B | 89 BPM | ||
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| Melodies for Saxophone: Melody 1 | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | C Major | 1 | 8B | 95 BPM | ||
| Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | A Minor | 0 | 8A | 99 BPM | ||
| The Lamb (For String Orchestra) | Filharmonie Brno | E Minor | 0 | 9A | 77 BPM | ||
| Passagaglia for solo violin from “Rosenkrantz Sonaten” | Heinrich Ignaz Franz von Biber, Thibault Noally | F♯ Minor | 2 | 11A | 77 BPM | ||
| Passacaglia for solo violin (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 123 BPM | ||
| Mechanical Dolls | Ezio Bosso, Turin String Quartet | E♭ Major | 1 | 5B | 107 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | ||
| Saint-Saëns: Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | A Major | 0 | 11B | 66 BPM | ||
| Increase | David Lang, Alarm Will Sound, Alan Pierson | F Minor | 4 | 4A | 120 BPM | ||
| Elegy for Solo Viola | Igor Stravinsky, Tatjana Masurenko | C Minor | 0 | 5A | 82 BPM | ||
| Will | Gretchen Yanover | E Minor | 2 | 9A | 176 BPM | ||
| Dark Cello | Maurizio Bignone | B♭ Minor | 1 | 3A | 89 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
| saman - string quartet version | Ólafur Arnalds | C Minor | 2 | 5A | 88 BPM | ||
| Ground | Julia Kent | D Minor | 3 | 7A | 86 BPM |