Paul Robeson's 'Shenandoah' had a release date set for January 1, 1958. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Shenandoah's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Robeson". In this album, this song's track order is #2. Shenandoah is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shenandoah by Paul Robeson having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Walk Beside You | Paul Robeson | G Major | 2 | 9B | 107 BPM | ||
| Carpal Tunnel | John O'Connor | G Major | 2 | 9B | 145 BPM | ||
| Bread and Roses | Bobbie McGee | E♭ Major | 1 | 5B | 134 BPM | ||
| Oh, Oh, Antonio | Florrie Forde | F Major | 2 | 7B | 72 BPM | ||
| God Bless the Grass | Malvina Reynolds | B♭ Minor | 1 | 3A | 201 BPM | ||
| Bottle of Wine | Tom Paxton | G Major | 3 | 9B | 86 BPM | ||
| Hallelujah, I'm A Bum! - Live From Victoria, Courtenay, And Vancouver, British Columbia / February, 1981 | Utah Phillips | D Major | 5 | 10B | 94 BPM | ||
| Love For Love | Paul Clayton | C Major | 2 | 8B | 69 BPM | ||
| I'm Gonna Pin My Medal on the Girl I Left Behind | Peerless Quartet | A♭ Major | 1 | 4B | 51 BPM | ||
| Kisses Sweeter Than Wine - Live at Carnegie Hall, New York City, 24 December 1955 | The Weavers | A Minor | 2 | 8A | 142 BPM | ||
| Went to See My Susie | George Armstrong | E♭ Major | 2 | 5B | 114 BPM | ||
| Long Haired Preacher (The Preacher and the Slave) | Harry McClintock | C Major | 1 | 8B | 103 BPM | ||
| The Bold Gendarmes | Josef Locke | F Major | 2 | 7B | 120 BPM | ||
| There's a Man Goin' Round Takin' Names | Paul Robeson | A♭ Major | 1 | 4B | 73 BPM | ||
| Minesweepers | Peter Bellamy | E♭ Major | 5 | 5B | 122 BPM | ||
| Follow The Drinking Gourd - Live at Carnegie Hall, New York City, 24 December 1955 | The Weavers | B♭ Minor | 4 | 3A | 112 BPM | ||
| Falling In Love Again | Marlene Dietrich | F Major | 1 | 7B | 116 BPM | ||
| You're The Top (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | E♭ Major | 4 | 5B | 90 BPM | ||
| When Irish Eyes Are Smiling | John McCormack | C Major | 3 | 8B | 87 BPM | ||
| Tomorrow Belongs To Me | Mark Lambert | E♭ Major | 6 | 5B | 113 BPM | ||
| The Ballad of Birmingham | Jerry Moore | E Minor | 0 | 9A | 81 BPM | ||
| The Preacher and the Slave | Utah Phillips | D Major | 6 | 10B | 118 BPM | ||
| Mandalay | Peter Bellamy | C Major | 5 | 8B | 84 BPM | ||
| The Battle Cry of Freedom | 38th Army Band | B♭ Major | 5 | 6B | 113 BPM | ||
| Now Is the Hour | Gracie Fields | C Major | 2 | 8B | 144 BPM |