Rajhesh Vaidhya's ' "Baro Krishnaiya" was released on its scheduled release date, December 22, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Thendral Vol 1". In this album, this song's track order is #8. The popularity of Baro Krishnaiya is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Baro Krishnaiya by Rajhesh Vaidhya having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sree Mahaganapathim | Kunnakudi Vaidyanathan | E Major | 5 | 12B | 96 BPM | ||
| Alaipayuthe Kanna | Aruna Sairam | C Major | 4 | 8B | 143 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM | ||
| Thillana | E.Gaayathri | B♭ Minor | 5 | 3A | 169 BPM | ||
| Thillana - 1969 | Namagiripettai Krishnan | F Major | 6 | 7B | 103 BPM | ||
| Panchashat Peeta Roopini (Instrumental) | Peri Thyagaraju | E Minor | 5 | 9A | 150 BPM | ||
| Akhilaandeshwari | Bombay S. Jayashree | A♭ Major | 7 | 4B | 92 BPM | ||
| Alarshara Parithapam - Suruti - Misra Chapu | N. J. Nandini | D♭ Major | 4 | 3B | 159 BPM | ||
| Thirupugazh - Violin | Kunnakudi Vaidyanathan, Valayappatti A. R. Subramaniam | E Minor | 7 | 9A | 177 BPM | ||
| Sitar Tabla Duo | Dann Torres | F♯ Major | 4 | 2B | 140 BPM | ||
| Thaka Janu Jam - Jog - Adi talam | Anirudh Sharma, IndianRaga, KDB Madhavi, Mahesh Raghvan, Swaminath Jayaraman | E Major | 9 | 12B | 110 BPM | ||
| Deva Deva Kalayamithe - Mayamalavagowla - Tala Rupakam | Ananth Kumar, IndianRaga, Kamaladeepthi Vempati, Kavitha Jayaraman, Nagaari, Sindhuja Bhakthavatsalam | G Major | 9 | 9B | 170 BPM | ||
| Vasantha (Violin Solo) | Apoorva Krishna | D♭ Major | 5 | 3B | 122 BPM | ||
| Bhavayami | Participants Of South India Female Choir | F Major | 6 | 7B | 148 BPM | ||
| Samajavaragamana | Sikkil Gurucharan | F Major | 7 | 7B | 176 BPM | ||
| Krishna Nee Begane Baaro - Mandolin | U. Srinivas | D Minor | 6 | 7A | 136 BPM | ||
| Karpooram Naarumo - Khamas - Kanda Chapu | IndianRaga, Vinod Krishnan | F Minor | 6 | 4A | 105 BPM | ||
| Kuthu Vilakkeriya | V2S2, RAGAMALIKATV | A♭ Major | 2 | 4B | 89 BPM | ||
| Spark-Plug | Lydian Nadhaswaram, Dave Weckl, Rajhesh Vaidhya | E Minor | 9 | 9A | 145 BPM | ||
| Devi Neeye Thunai - Sudha Ragunathan | Sudha Ragunathan | A♭ Major | 4 | 4B | 167 BPM | ||
| Alaipayuthe Kanna - Ragam - Kanada, Thalam - Adi | Mambalam M.K.S. Siva | E♭ Major | 9 | 5B | 164 BPM | ||
| Raga Dvijavanthi - Jaljaivanthi | A. Kanyakumari, Janardan Mitta | A♭ Minor | 9 | 1A | 87 BPM | ||
| Tillana - Paras - Adi (Live) | Ranjani-Gayatri, H. N. Baskar, K. Arun Praksh | C Minor | 4 | 5A | 117 BPM | ||
| Yae Paadal Ondru Veena | Rajhesh Vaidhya | B Minor | 7 | 10A | 113 BPM | ||
| Maruthamalai Maamaniye - Instrumental | Kunnakudi Vaidyanathan | E Minor | 4 | 9A | 104 BPM |