Kosindra, Rishi Pal's ' "Mai Chatri Su" was released on its scheduled release date, 1991. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Kosindra, Rishi Pal's "Hariyanvi Kissa Chand Kiran" album is number 8 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Mai Chatri Su's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mai Chatri Su by Kosindra, Rishi Pal to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kissa - Mahabharat Aaj Karn Bane Hai Senapati | Komal Choudhary, Tarun Baliyan | F Major | 10 | 7B | 128 BPM | ||
| Bhai Sonera | Sanu Khan | B♭ Major | 8 | 6B | 114 BPM | ||
| Krishan Mera | Kosindra, Rishi Pal | B♭ Major | 5 | 6B | 131 BPM | ||
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Ek Kheli Lagayi Par Part 1 | Swami Aadhar Chaitanya | A♭ Major | 5 | 4B | 159 BPM | ||
| Suna Hai Ki Vo Muskurane Lage Hain | Dimple Bhumi | G Major | 8 | 9B | 130 BPM | ||
| Bedardi Se Pyar Ka Sahara | Attaullah Khan | E♭ Major | 6 | 5B | 111 BPM | ||
| Bhira Ramdev Re Bai Ne Ekar | Rajkumar Swami | A Major | 8 | 11B | 102 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Piya Ji Tirloki | Kosindra, Rishi Pal | D Minor | 6 | 7A | 132 BPM | ||
| Bole To Mitho Lage (Rajasthani Indian Folk) | Lalitya Munshaw, Babu Khan | E♭ Major | 9 | 5B | 119 BPM | ||
| Pahle Aali Hawa Rahi Na - Hindi | Ramkesh Jiwanpuriya | D♭ Minor | 6 | 12A | 140 BPM | ||
| He Unche Barsane Wali | Keshav Khari | A♭ Major | 8 | 4B | 93 BPM | ||
| Ram Ji Ka Sewak Ho Ram Ji Ka Diwana | Ram Kumar Lakha | B Major | 9 | 1B | 164 BPM | ||
| Koi Maane Ya Na Maane | Santram Banjara | F♯ Major | 7 | 2B | 111 BPM | ||
| Durbal Kaya Dekh | Kosindra, Rishi Pal | D Minor | 6 | 7A | 132 BPM | ||
| Kaun Si Ne Maar Diyo | Sadhvi Poornima | D♭ Major | 6 | 3B | 122 BPM | ||
| Kajrare Tere Mote - Mote | Baba Rasika Pagal | F♯ Major | 7 | 2B | 170 BPM | ||
| Choudhary De Monde te Donali Sajdi | Kala Ram, Renu kumar | E♭ Major | 4 | 5B | 206 BPM | ||
| Mhane Runicha Bulwaee Lijyo | Gopal Bajaj | A♭ Major | 6 | 4B | 137 BPM | ||
| Chalo Aaj Khwaja Ka | Mohammed Aziz | F♯ Major | 9 | 2B | 174 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM | ||
| Gire Na Abhe Dudh Ke Daant | Deshraj Narvariya | F♯ Major | 10 | 2B | 128 BPM | ||
| Jhulna Jhulado Meri Maa | Rudrakant Singh Thakur | A Minor | 4 | 8A | 134 BPM | ||
| Eso Datar Me Suniyo | Rajkumar Swami | A Minor | 7 | 8A | 106 BPM |