大友康平's ' "涙そうそう" was released on its scheduled release date, November 7, 2012. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in 大友康平's "J-STANDARD BALLADS" album is number 9 out of 12. On top of that, Japan appears to be the country where this track was created. 涙そうそう is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 涙そうそう by 大友康平 to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baby | Ryudo Uzaki | B Major | 6 | 1B | 105 BPM | ||
| Home Planet ― 地球こそ私の家 | Misato Watanabe, Motoharu Sano | C Major | 8 | 8B | 94 BPM | ||
| 夜桜蝶々 | すぎもとまさと | D♭ Major | 6 | 3B | 111 BPM | ||
| 海風 | Shozo Ise | E Minor | 7 | 9A | 128 BPM | ||
| 答えの扉 - Remastered 2022 | Eikichi Yazawa | G Major | 6 | 9B | 108 BPM | ||
| きっと 何時の日か | Sing Like Talking | C Major | 4 | 8B | 111 BPM | ||
| あふれでる感情 ~Acoustic Version~ | T-BOLAN | B Major | 7 | 1B | 106 BPM | ||
| Special Thanks | Junichi Inagaki | B♭ Minor | 2 | 3A | 105 BPM | ||
| それぞれの地平線 (al version) - Instrumental Version | Keizo Nakanishi | A♭ Minor | 7 | 1A | 98 BPM | ||
| バックステージ | Hiromi Go | A Major | 7 | 11B | 168 BPM | ||
| なめとんか’96 | Takajin Yashiki | E Major | 5 | 12B | 140 BPM | ||
| もう一度抱きたい | Masatoshi Nakamura | B♭ Minor | 8 | 3A | 114 BPM | ||
| HOLY LEI | Yoshitaka Minami | D Major | 3 | 10B | 144 BPM | ||
| Another Love | Toshihiko Tahara | C Major | 8 | 8B | 128 BPM | ||
| ぼくらしく (LIVE) | Takehara Pistol | B Major | 8 | 1B | 93 BPM | ||
| OFF STAGE | Akiko Kobayashi | F Minor | 4 | 4A | 90 BPM | ||
| ひとりよがりの人魚 | Takao Kisugi | A Major | 4 | 11B | 76 BPM | ||
| 14106(アイシテル)(Aishiteru) | Beat Flickers | G Minor | 4 | 6A | 104 BPM | ||
| RISE - acoustic edit | 大友康平 | C Major | 5 | 8B | 105 BPM | ||
| Be True | Ayumi Nakamura | E Major | 8 | 12B | 107 BPM | ||
| シルエット・ロマンス(カバー) | Takeshi Tsuruno | B♭ Minor | 5 | 3A | 98 BPM | ||
| 舞台裏のラプソディ | George Yanagi And Rainywood | C Minor | 6 | 5A | 135 BPM | ||
| 君を離さない | KATSUMI | F♯ Minor | 4 | 11A | 140 BPM | ||
| さよならが言えるまで | Takajin Yashiki | E♭ Major | 4 | 5B | 68 BPM | ||
| TATOO | H.E. DEMON KAKKA | D♭ Major | 8 | 3B | 102 BPM |