"Lexington Hills" by David Allred had its release date on June 14, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Cell". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Lexington Hills is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lexington Hills by David Allred having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Gramophone Suite II | Antonymes | D Minor | 4 | 7A | 95 BPM | ||
| from hills | 1STR1C3 | A♭ Major | 1 | 4B | 133 BPM | ||
| Gone | Nico Georis | F Major | 2 | 7B | 115 BPM | ||
| Liminal Hum | Silentbloom | D Major | 1 | 10B | 120 BPM | ||
| Robert, Please | Allred & Broderick, David Allred, Peter Broderick | G Major | 0 | 9B | 102 BPM | ||
| Sustained Light | Silent Axis | C Minor | 2 | 5A | 140 BPM | ||
| Hares on the Mountain | Shelley Short, David Allred | A Minor | 1 | 8A | 157 BPM | ||
| Death, Reverb and Decay | Christina Vantzou, John Also Bennett, Oliver Coates | B♭ Minor | 1 | 3A | 76 BPM | ||
| Calm Clouds | Nyraen Kor | A♭ Minor | 5 | 1A | 196 BPM | ||
| Steep Surf | Gentle Millennials, Fay Funk, David Allred | B Major | 9 | 1B | 105 BPM | ||
| The Fifth Dimension Lullaby | Svein Fjeld | D Major | 0 | 10B | 84 BPM | ||
| Something Coming | Gentle Millennials, Fay Funk, David Allred | E♭ Major | 3 | 5B | 80 BPM | ||
| Respiro, Life and Fallen Leaves | ワールドスタンダード | F♯ Major | 1 | 2B | 183 BPM | ||
| Chronology | Qasim Naqvi | F Major | 0 | 7B | 43 BPM | ||
| Borders | Ruben de Gheselle | D Minor | 1 | 7A | 68 BPM | ||
| Wooding Treasures | Lina Brechtenwert | G Minor | 0 | 6A | 67 BPM | ||
| Mejor Que Ellos | sodofolo | F♯ Major | 1 | 2B | 78 BPM | ||
| Another Green | Chelsea Bridge, Pan-American | C Major | 6 | 8B | 151 BPM | ||
| Finally, on the Horizon | Olma | A Major | 1 | 11B | 112 BPM | ||
| Emptyspace | Bounce Melody | A Minor | 0 | 8A | 70 BPM | ||
| Outside In | Jim Perkins, Joanna Forbes L'Estrange | E Major | 2 | 12B | 174 BPM | ||
| Fathers | Jogging House | F♯ Major | 2 | 2B | 87 BPM | ||
| Correios, Aeroportos e Telégrafos | Mateus Alves, Tomaz Alves Souza | C Major | 0 | 8B | 86 BPM | ||
| Fresno Battle of the Bands 2004 Song Winner | Good Enough for Grandpa, David Allred, Greg Eldridge | C Major | 2 | 8B | 70 BPM | ||
| Measurement | Nightports, Matthew Bourne | E Major | 2 | 12B | 81 BPM |