On September 11, 2000, the song "Ooncheyan Pahada Rehna" was released by Jaswant Choudhary, Vimla Rathod, Sanju Rathod. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jaswant Choudhary's "Maa Tere Chole Laani Kingri" album is number 5 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Ooncheyan Pahada Rehna is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ooncheyan Pahada Rehna by Jaswant Choudhary, Vimla Rathod, Sanju Rathod to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raja Mordhwaj Ki Jeevni, Pt. 5 | Ramniwas Rao | D♭ Major | 8 | 3B | 133 BPM | ||
| Hara Hun Baba | Kanhaiya Mittal | C Minor | 7 | 5A | 95 BPM | ||
| Deewana Machal Raha | Manoj Sharma Gwalior | D♭ Minor | 6 | 12A | 146 BPM | ||
| Ek Fakira Aaya Shirdi Gaon Mein - Hindi | Puneet Khurana | G Major | 8 | 9B | 165 BPM | ||
| Manika Tum Humka Dekha | Rampat Harami | F♯ Major | 9 | 2B | 106 BPM | ||
| Wah Todti Pathar | Dr. Kumar Vishwas | A Major | 1 | 11B | 81 BPM | ||
| Aise Lamhen | Roop Kumar Rathod | B♭ Major | 4 | 6B | 88 BPM | ||
| Kum Kum Kera Charan Pacharo Guru Jambh Dev Bhajan | Sant Rajuram Ji | A♭ Minor | 8 | 1A | 86 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| Rama Rama Peer Mhara | Gopal Bajaj | E♭ Minor | 7 | 2A | 134 BPM | ||
| Om Shree Shyam Devay Namoh | Kumar Narendra | F♯ Minor | 9 | 11A | 122 BPM | ||
| Gaanv Me Rang Barse | Bhagat Ramniwas Ji | D Major | 4 | 10B | 81 BPM | ||
| Mahra Piyar Main Boi Gangour | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 155 BPM | ||
| Radha Rani Ki Kirpa | Chitra Vichitra | B♭ Minor | 9 | 3A | 140 BPM | ||
| Sada Suhagan Mata Tu Hai | Narendra Chanchal | D♭ Major | 7 | 3B | 117 BPM | ||
| Padharo Mhara Bheruji | Chotu Singh Rawna | A♭ Major | 10 | 4B | 119 BPM | ||
| Shree Vaishno Chalisa | Narendra Chanchal | D♭ Major | 5 | 3B | 76 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Halke Se Mara Ke Bade Se Mara Bundeli Geet | JaiSingh Raja | B Minor | 8 | 10A | 78 BPM | ||
| Toone Kaun Se Punya Kiye Radhe | Anuradha Paudwal | G Minor | 7 | 6A | 100 BPM | ||
| Mere Shankar Ji Hain Pyare | Raviraj Nasery | D♭ Major | 9 | 3B | 133 BPM | ||
| Sanchon Tera Darbar | Rajni Rajasthani | D Major | 10 | 10B | 160 BPM | ||
| Daya Karo Maa | Milan Singh | F♯ Major | 8 | 2B | 79 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Nakh Pe Giriwar Leno Dhar | Vandana Bhardwaj | B♭ Major | 3 | 6B | 103 BPM |