Seaforth's ' "Good and Gone" was released on its scheduled release date, April 12, 2019. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Seaforth's "Love That" album is number 3 out of 4. On top of that, United States appears to be the country where this track was created. Based on our statistics, Good and Gone's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Good and Gone by Seaforth to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pick up Where We Left Off | Josh Kerr | A Major | 6 | 11B | 90 BPM | ||
| Cake For Breakfast | Troy Cartwright | F♯ Minor | 9 | 11A | 100 BPM | ||
| Sundowners | Jordan Davis | F♯ Minor | 7 | 11A | 128 BPM | ||
| Bathroom Floor | Maddie & Tae | D Major | 9 | 10B | 184 BPM | ||
| Maybe We Will | Noah Schnacky | E Major | 5 | 12B | 170 BPM | ||
| Close | John King | B Minor | 5 | 10A | 128 BPM | ||
| Better In A Car | Roman Alexander | C Major | 9 | 8B | 86 BPM | ||
| Run | Sam Riggs | B Minor | 8 | 10A | 92 BPM | ||
| Man Enough Now - Radio Edit | Chris Bandi | D Major | 6 | 10B | 156 BPM | ||
| Lucky Stars | Josh Gracin | D Major | 8 | 10B | 136 BPM | ||
| Other Girl | Filmore | C Major | 7 | 8B | 166 BPM | ||
| Kissing Me Back | Chris Ruediger | A Major | 6 | 11B | 146 BPM | ||
| Down For It | Willie Jones | A Major | 9 | 11B | 82 BPM | ||
| Dream You Never Had | Thomas Rhett | G Major | 6 | 9B | 129 BPM | ||
| Rather Be Us | Tyler Rich | B Major | 6 | 1B | 95 BPM | ||
| Bring It On Over | Billy Currington | C Major | 8 | 8B | 100 BPM | ||
| Rival | LANCO | G Major | 9 | 9B | 82 BPM | ||
| Weekend | Kane Brown | E Major | 7 | 12B | 80 BPM | ||
| Cocktail Conversations | Roman Alexander | G Major | 7 | 9B | 146 BPM | ||
| Growin' Up | Walker McGuire | C Major | 8 | 8B | 126 BPM | ||
| Somebody Ain't You | Mitchell Tenpenny | B Major | 7 | 1B | 160 BPM | ||
| DRUNK OVER YOU | Niko Moon | D♭ Major | 7 | 3B | 146 BPM | ||
| Anything She Says | Mitchell Tenpenny, Seaforth | G Major | 6 | 9B | 186 BPM | ||
| All Yours, All Night | Russell Dickerson | C Major | 7 | 8B | 146 BPM | ||
| One Step Ahead | Restless Road | D♭ Major | 8 | 3B | 140 BPM |