Tony Weeks's 'Julie' had a release date set for January 1, 1999. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 7 in the song's album "No One But Everyone". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Julie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Julie by Tony Weeks having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Near The Cross | Dailey & Vincent | G Major | 0 | 9B | 84 BPM | ||
| O Father You Are Sovereign | St. Andrews Hymns | D Major | 3 | 10B | 90 BPM | ||
| Through It All | Marleta Fong, Benjamin Milis, Jana Lombart | C Major | 2 | 8B | 114 BPM | ||
| Stop | Tony Weeks | C Major | 3 | 8B | 144 BPM | ||
| His Eye Is on the Sparrow | Purpose of Praise | A Major | 3 | 11B | 134 BPM | ||
| Redeemed How I Love to Proclaim It | Elevation | A Major | 2 | 11B | 111 BPM | ||
| Deep and Wide | New Heights Quartet | F Major | 3 | 7B | 76 BPM | ||
| Constantly Abiding | Hamilton Family | E♭ Major | 4 | 5B | 125 BPM | ||
| The Unclouded Day | The Christian Choristers | C Major | 4 | 8B | 96 BPM | ||
| I Heard the Voice of Jesus Say | St. Andrews Hymns | E Minor | 4 | 9A | 140 BPM | ||
| Great is Thy Faithfulness | Discovery Singers | B♭ Major | 3 | 6B | 78 BPM | ||
| One Bread, One Body | John Foley | A♭ Major | 3 | 4B | 72 BPM | ||
| Jesus, Jesus, can I tell You? | Emmaus Worship Experience | E Minor | 1 | 9A | 170 BPM | ||
| Jesus Is Coming Soon (Troublesome Times Are Here) | The Emmanuel Quartet | F♯ Major | 2 | 2B | 173 BPM | ||
| A Place Of My Own | Tony Weeks | C Major | 7 | 8B | 115 BPM | ||
| Heaven Came Down and Glory Filled My Soul | The Nashville Singers | B♭ Major | 2 | 6B | 181 BPM | ||
| My Redeemer is Faithful and True | Brad Reynolds | D Major | 1 | 10B | 125 BPM | ||
| Borning Cry | Shelbey Picek | A♭ Major | 4 | 4B | 134 BPM | ||
| He Giveth More Grace | The Haven Quartet | D Major | 2 | 10B | 115 BPM | ||
| Blessed Assurance (with Michelle Anthony) | The Enfield Hymn Sessions | C Major | 1 | 8B | 131 BPM | ||
| Hail Mary; Gentle Woman | Jon Niven | F Major | 2 | 7B | 135 BPM | ||
| I Wish I Could Have Been There | The Hooker Family | G Major | 6 | 9B | 155 BPM | ||
| Lead Me, Lord | John D Becker | A♭ Major | 4 | 4B | 68 BPM | ||
| There Is a Balm in Gilead | Harpeth Gospel Quartet | F Major | 2 | 7B | 74 BPM | ||
| How Beautiful Is the Body of Christ | Malachi Cush | D Major | 2 | 10B | 83 BPM |