"Lover, You Should've Come Over" by Thom Robson, Joni Fuller had its release date on December 3, 2021. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Lover, You Should've Come Over's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Lover, You Should've Come Over and no other songs are present in the album, we classify this track as a single. Based on our statistics, Lover, You Should've Come Over's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lover, You Should've Come Over by Thom Robson, Joni Fuller to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| February 30 | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Ondes (arr. Christopher Dennis Coleman) | 24th and Haven, Christopher Dennis Coleman | C Major | 1 | 8B | 76 BPM | ||
| Tumultuous You | Bardic Fae, Lydia Munchinsky | C Minor | 1 | 5A | 97 BPM | ||
| Aodh | Kyle Preston | D Major | 2 | 10B | 70 BPM | ||
| Constellations | Alex Baranowski | C Major | 2 | 8B | 172 BPM | ||
| Campfire | cloudy night | B Minor | 3 | 10A | 154 BPM | ||
| Arrivals | Thom Robson, Joni Fuller | D Major | 3 | 10B | 180 BPM | ||
| Silence Before the Oath | Luno S. Rigi | B♭ Major | 2 | 6B | 150 BPM | ||
| Beyond Infinity - Reimagined | Javi Lobe, Carlos Hof | C Major | 2 | 8B | 143 BPM | ||
| Taken | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Beyond the Light | Second Light | D♭ Major | 1 | 3B | 96 BPM | ||
| Remembrance | August Wilhelmsson | A♭ Major | 2 | 4B | 81 BPM | ||
| Daydream in D for Cello | Eric Kinny | F♯ Minor | 2 | 11A | 134 BPM | ||
| Cluster - Edit | Peter Gregson, Warren Zielinski, Magnus Johnston, Matthew Denton, Richard Blayden, Tom Pigott-Smith, Bryan Senti, James Boyd, Eoin Schmidt-Martin, Meghan Cassidy, Stephanie Edmundson, Richard Harwood, Reinoud Ford, Ben Chappell, Tim Lowe, Laurence Ungless | E Minor | 2 | 9A | 74 BPM | ||
| Weep No More | Abilene | E Minor | 1 | 9A | 148 BPM | ||
| Lion Sleeps | Calm Pieces | G Minor | 0 | 6A | 90 BPM | ||
| Some Feelings Never Fade | David Celeste | D♭ Major | 1 | 3B | 49 BPM | ||
| Polaris II | Peter Sandberg | C Major | 1 | 8B | 91 BPM | ||
| hope is a river that runs between us | Distant Cowboy | D Major | 3 | 10B | 114 BPM | ||
| The Cradle of Stars | Regnum Umbrae | G Minor | 0 | 6A | 90 BPM | ||
| Flows Between the Moves | Nainita Desai, Thom Robson | A Minor | 2 | 8A | 116 BPM | ||
| Clockwise | ABBOTT | G Major | 8 | 9B | 124 BPM | ||
| Du Har Meg - Instrumental | Judah Earl, Hannah Yoo | A♭ Major | 2 | 4B | 138 BPM | ||
| Music For Disappearing Coastlines | Kyle Preston, Emanuel Pavon, Damian Bolotin | G Minor | 0 | 6A | 90 BPM | ||
| Relativity | Rusanda Panfili, Johannes Winkler | D♭ Minor | 1 | 12A | 121 BPM |