"9月半島" by Miki Imai had its release date on June 21, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 11 in Bewith by Miki Imai. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, 9月半島 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 9月半島 by Miki Imai is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夏影 | Irohane MUSIC STUDIO | G Major | 6 | 9B | 148 BPM | ||
| ただ泣きたくなるの | 中山美穂 | B♭ Major | 7 | 6B | 174 BPM | ||
| Time goes by | Kahoru Kohiruimaki | E Minor | 7 | 9A | 108 BPM | ||
| 人喰い | 小川範子 | D Major | 7 | 10B | 85 BPM | ||
| 君のいる星 | Keizo Nakanishi | A♭ Major | 5 | 4B | 94 BPM | ||
| 君は悲しみの | Iruka | D♭ Minor | 3 | 12A | 78 BPM | ||
| まるで子供のように | Kazuo Zaitsu | C Major | 4 | 8B | 79 BPM | ||
| 私がいる | Satoko Ishimine | D Major | 4 | 10B | 99 BPM | ||
| ほんの短い夏 | Shozo Ise | F♯ Minor | 4 | 11A | 90 BPM | ||
| コーヒーハウスにて | 相曽晴日 | G Major | 4 | 9B | 77 BPM | ||
| 冬のバラ - 「Wの悲劇」オリジナル・サウンドトラックより | Hiroko Yakushimaru | G Major | 7 | 9B | 114 BPM | ||
| 歌い継がれてゆく歌のように | Momoe Yamaguchi | F♯ Major | 4 | 2B | 77 BPM | ||
| 帰愁 | Naoko Ken | G Minor | 5 | 6A | 98 BPM | ||
| 恋の行方 - The Way of Love | LOFYO | C Major | 6 | 8B | 100 BPM | ||
| ひとりになりたい | Megumi Shiina | B Major | 4 | 1B | 84 BPM | ||
| 春夏秋冬 | Big Eyes | D♭ Major | 4 | 3B | 105 BPM | ||
| 答えなし (No Answers) | Retro City Pop | F Major | 6 | 7B | 120 BPM | ||
| Tsuki no Lamp | Eri Hiramatsu | F♯ Minor | 9 | 11A | 132 BPM | ||
| 待っているわ | Mariya Takeuchi | A Major | 9 | 11B | 104 BPM | ||
| ふられた気分 | Naoko Ken | A♭ Minor | 4 | 1A | 124 BPM | ||
| あなたがいた季節 | Kyoko Koizumi | C Major | 5 | 8B | 91 BPM | ||
| 波止場 | Yoshitaka Minami | A Minor | 7 | 8A | 204 BPM | ||
| 生きるといふこと | Kazuo Zaitsu | D Major | 1 | 10B | 136 BPM | ||
| 語りつぐ愛に | Hiroko Yakushimaru | D♭ Major | 6 | 3B | 121 BPM | ||
| めざめたら - Remastered 2022 | Eikichi Yazawa | E Major | 4 | 12B | 201 BPM |