"浜辺の歌" by Chieko Baisho had its release date on August 5, 2020. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 浜辺の歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ふるさとのうた~わたしの帰る場所~, so we believe that "浜辺の歌" is a single. In terms of popularity, 浜辺の歌 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 浜辺の歌 by Chieko Baisho is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 草原のマルコ | 大杉久美子, 坂田晃一 | F♯ Minor | 8 | 11A | 170 BPM | ||
| リンゴの唄 | Chieko Baisho | B♭ Major | 0 | 6B | 142 BPM | ||
| 瀬戸の花嫁 | 小柳ルミ子 | D Minor | 5 | 7A | 132 BPM | ||
| 船方さんよ | Haruo Minami | B Minor | 6 | 10A | 141 BPM | ||
| 長崎の鐘 | Fujiyama Ichiro | C Major | 4 | 8B | 121 BPM | ||
| イヨマンテの夜 | Hisao Ito | F Minor | 4 | 4A | 138 BPM | ||
| 乙女のワルツ | Sakiko Ito | G Major | 4 | 9B | 101 BPM | ||
| 丘を越えて | Fujiyama Ichiro | C Major | 4 | 8B | 121 BPM | ||
| 若鷲の歌 | 西郷輝彦 | G Minor | 5 | 6A | 117 BPM | ||
| 高原列車は行く | 岡本敦郎 | C Major | 3 | 8B | 116 BPM | ||
| ブライト・ホーン | Yuzo Kayama | B Minor | 3 | 10A | 135 BPM | ||
| 学生時代 | Peggy Hayama | G Minor | 5 | 6A | 112 BPM | ||
| パタパタママ | のこいのこ | B♭ Major | 8 | 6B | 158 BPM | ||
| 夜霧のブルース | ディック・ミネ | A Minor | 2 | 8A | 84 BPM | ||
| 涙から明日へ | Masaaki Sakai | A Major | 2 | 11B | 85 BPM | ||
| 浜辺の歌 | フォレスタ | A♭ Major | 3 | 4B | 69 BPM | ||
| 遠くへ行きたい - 1992 Re-Recording | Duke Aces | C Minor | 3 | 5A | 79 BPM | ||
| Eテレ 0655/2355 さらば宝塚 | ロス・プリモス | A Major | 1 | 11B | 89 BPM | ||
| 早春賦 | Chieko Baisho | B♭ Major | 0 | 6B | 142 BPM | ||
| 大勝負 | Kiyoko Suizenji | F Major | 5 | 7B | 138 BPM | ||
| 野球小僧 | 灰田勝彦 | A♭ Major | 4 | 4B | 118 BPM | ||
| 大阪ラプソディー (2022 Remastering) | 海原千里・万里 | F♯ Minor | 5 | 11A | 109 BPM | ||
| 太平洋行進曲 | 岡本敦郎 | A♭ Major | 3 | 4B | 111 BPM | ||
| 想い出のソレンツァラ | Fubuki Koshiji | A Minor | 3 | 8A | 110 BPM | ||
| 月と星のバラード | Chieko Baisho | G Minor | 4 | 6A | 181 BPM |