Jay Phelps, Kemani Anderson's ' "Come Sunday" was released on its scheduled release date, September 26, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 7 in Broken Standards, Vol. 2 by Jay Phelps. The popularity of Come Sunday is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Come Sunday by Jay Phelps, Kemani Anderson is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crystal Visions | David Versace | G Minor | 1 | 6A | 171 BPM | ||
| 187 South | Guido Spannocchi, Jay Phelps, Sylvie Leys, Robert Mitchell, Michelangelo Scandroglio, Tristan Banks | E♭ Minor | 4 | 2A | 167 BPM | ||
| Stupid on the Beat | Jas Kayser | E Minor | 7 | 9A | 137 BPM | ||
| Lune | FŒHN | B♭ Minor | 4 | 3A | 112 BPM | ||
| Still Riding | Ife Ogunjobi | D Minor | 9 | 7A | 110 BPM | ||
| Master Changes (ii) | Mackwood | A Major | 2 | 11B | 95 BPM | ||
| OG LaLa | Thin Blue Collective, Jay Phelps | B Minor | 4 | 10A | 100 BPM | ||
| Rise (Instrumental) | Jay Phelps, Tom Ford | A Minor | 6 | 8A | 161 BPM | ||
| Breeze - Dub Version | Nubiyan Twist | D♭ Major | 8 | 3B | 126 BPM | ||
| Beautiful Us | Marquis Hill | G Major | 4 | 9B | 83 BPM | ||
| L.S.G (love so good) | Jay Phelps | B Minor | 5 | 10A | 110 BPM | ||
| WAITING ALL NIGHT | Close Counters, Allysha Joy | F Minor | 7 | 4A | 109 BPM | ||
| Wind Parade - Live From The Royal Albert Hall | Jordan Rakei | F Minor | 6 | 4A | 123 BPM | ||
| Oceans Apart | Atjazz, Audrey Powne, Karizma | B♭ Minor | 4 | 3A | 112 BPM | ||
| X & The Chocolatier | Clapper | B♭ Major | 6 | 6B | 104 BPM | ||
| Mosquitos | Makumba | E Minor | 4 | 9A | 93 BPM | ||
| Rivivere | De.Stradis, Giargo | B♭ Minor | 4 | 3A | 112 BPM | ||
| Ali Bar Bar / Young Rabbits (Tribute To The Jazz Crusaders) | Horatio Luna | B♭ Minor | 4 | 3A | 112 BPM | ||
| Imaginary Magnitude | Greg Foat, Forest Law | F Minor | 7 | 4A | 114 BPM | ||
| Open Up feat. Jay Phelps | Mystep, Jay Phelps | A Major | 6 | 11B | 119 BPM | ||
| Staring at the Wall | Emma-Jean Thackray | A Minor | 3 | 8A | 148 BPM | ||
| Transcendence | Greg Foat, Jihad Darwish, Moses Boyd | B♭ Minor | 4 | 3A | 112 BPM | ||
| Stab | Kuna Maze | B♭ Minor | 7 | 3A | 131 BPM | ||
| Songbirds | Floratura | B♭ Minor | 4 | 3A | 112 BPM | ||
| Vitamins | Snazzback | F♯ Major | 6 | 2B | 99 BPM |