Christopher Willis's ' "Losing Touch" was released on its scheduled release date, February 1, 2011. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Losing Touch's duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 31 in Big Screen: Dark Emotion by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Losing Touch is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Losing Touch by Christopher Willis is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Would Be My Wife | Rachel Portman | G Major | 1 | 9B | 84 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Score: "Just one kick and apparently magic?" | Christopher Willis | C Major | 2 | 8B | 113 BPM | ||
| To the Cottages | Rachel Portman | E Minor | 1 | 9A | 124 BPM | ||
| Finding Freedom | David Schweitzer | C Minor | 3 | 5A | 130 BPM | ||
| Alaskan Summer | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Simple Harp | Martin Phipps, The Chamber Orchestra Of London | A Minor | 0 | 8A | 204 BPM | ||
| A Quick Getaway | Stephen Rennicks | A Minor | 1 | 8A | 160 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Paradigm Shift | Gavin Luke | C Major | 3 | 8B | 138 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| Gryffindor Common Room | J Scott Rakozy, Hogwarts Legacy | E♭ Major | 2 | 5B | 115 BPM | ||
| Damaged - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | F♯ Minor | 1 | 11A | 60 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| Chapters | Geoff Zanelli, Jon Brion | G Major | 4 | 9B | 170 BPM | ||
| Prologue | Christopher Willis | C Major | 8 | 8B | 98 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Reforestation (Episode 5 - Humans) | Ilan Eshkeri | A Minor | 2 | 8A | 126 BPM | ||
| Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
| Mr. Knightley | Isobel Waller-Bridge, David Schweitzer | G Major | 1 | 9B | 74 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM |