"Serenata for Wind Sextet: II. Moderato" by Paul Reade, London Winds had its release date on March 17, 2023. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 18 in A Celebration of Paul Reade by Paul Reade, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Serenata for Wind Sextet: II. Moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenata for Wind Sextet: II. Moderato by Paul Reade, London Winds is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Adapt. by Tamas Batiashvili for Violin and Orchestra) - NEW YORK | Antonín Dvořák, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D♭ Major | 0 | 3B | 87 BPM | ||
| サクソフォン四重奏曲: II. Elégie | Paul Reade, NOK Saxophone Quartet | A Minor | 0 | 8A | 172 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Celtic Concerto: 3. Solstice | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 2 | 3A | 140 BPM | ||
| Abbotsbury Gardens | Tamara Konstantin, Yu-Mien Sun, Jiaxin Lloyd Webber | D♭ Major | 0 | 3B | 64 BPM | ||
| Korngold: Die tote Stadt, Op. 12, Act I: Lied. "Glück, das mir verblied" (Marietta) [Arr. for Trumpet] | Erich Wolfgang Korngold, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | B♭ Major | 1 | 6B | 71 BPM | ||
| Piano Concerto No. 2 in A-Flat Major, H. 31: II. Poco adagio | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 116 BPM | ||
| Verdiana (Version for Clarinet & String Orchestra): II. Un bossa in maschera | Alexey Shor, Fabrizio Meloni, Kyiv Virtuosi, Daniel Raiskin | F Major | 3 | 7B | 81 BPM | ||
| 5 Meditations for Orchestra: No. 4, Lord, Make Me an Instrument of Thy Peace | John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
| Song of the Seashore (Hamabe No Uta) | Tamezo Narita, James Galway, Hiroyuki Iwaki, Tokyo String Orchestra, Ayako Shinozaki | E♭ Minor | 1 | 2A | 95 BPM | ||
| The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss | Orchestra of the Swan, David le Page | D Major | 1 | 10B | 77 BPM | ||
| Thaïs: Méditation | Jules Massenet, Barbara Jane Gilby, David Stanhope, Tasmanian Symphony Orchestra | E Minor | 1 | 9A | 182 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | ||
| Semele, HWV 58: Where'er You Walk (Arr. for Oboe & Orchestra by John Rutter) | George Frideric Handel, John Rutter, Manchester Camerata | B♭ Major | 1 | 6B | 80 BPM | ||
| Sheep May Safely Graze | Philharmonic Symphony Orchestra, Takako Nishizaki, Johann Sebastian Bach | B♭ Major | 1 | 6B | 101 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Oíche Mhaith a Sheáin | Máire Carroll, Kristan Swain | D Major | 0 | 10B | 62 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| Radiant Moments | Veridia | G Major | 1 | 9B | 80 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Poundbury | Tamara Konstantin, Yu-Mien Sun, Jiaxin Lloyd Webber | A Major | 1 | 11B | 102 BPM | ||
| The Londonderry Air | Hamilton Harty, Bryden Thomson, Ulster Orchestra, Pan Hon Lee | E Major | 0 | 12B | 79 BPM | ||
| The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM |