Will Gregory's 'Loverlorn Aftermath' had a release date set for August 8, 2025. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Loverlorn Aftermath's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Will Gregory's "Lost In The Forest (Music from the RSC's A Midsummer Night's Dream)" album is number 7 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Loverlorn Aftermath is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Loverlorn Aftermath by Will Gregory to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Broadway Melody Of 1974 | Gazzara | E Major | 1 | 12B | 63 BPM | ||
| Shake It Off | Amil Hashimov, Ryan | F♯ Minor | 1 | 11A | 127 BPM | ||
| Blackfriars | Anna Meredith | F♯ Minor | 2 | 11A | 116 BPM | ||
| Dance with Me | Liliya Kumar, Lofi Chills | B♭ Minor | 2 | 3A | 120 BPM | ||
| In 1923 | Christoph M. Kaiser, Julian Maas | A♭ Minor | 4 | 1A | 136 BPM | ||
| Stasis | John Metcalfe | G Major | 1 | 9B | 80 BPM | ||
| Dreams | Tolga Ozcelik, Tolgaman | D Major | 2 | 10B | 99 BPM | ||
| Leaving | Hildur Guðnadóttir | A Minor | 4 | 8A | 74 BPM | ||
| Miracle at Sunset - Organ Version | John Baggaley | E Minor | 1 | 9A | 134 BPM | ||
| Pärt: Cantus in memoriam Benjamin Britten | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 114 BPM | ||
| This Woman's Work (Arr. Lawson) | Kate Bush, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | D♭ Major | 2 | 3B | 78 BPM | ||
| Back to Myself | Samira Bashirova, Sgold | B Minor | 3 | 10A | 71 BPM | ||
| Boléro | Maurice Ravel, Isao Tomita | C Major | 2 | 8B | 144 BPM | ||
| The Wife | Jocelyn Pook | C Minor | 1 | 5A | 97 BPM | ||
| På Vejen Hjem | Halfdan E, Tallinn's Finest Sinfonietta | C Major | 3 | 8B | 59 BPM | ||
| Human Circuit | Leo Korvin, TREN | B Minor | 2 | 10A | 72 BPM | ||
| Retronix | Marcel Barsotti, EM BI | A Minor | 4 | 8A | 160 BPM | ||
| 92nd time | Yasuhiro Maeda | C Major | 3 | 8B | 59 BPM | ||
| Il rosso e il nero | Paolo Buonvino | C Major | 3 | 8B | 59 BPM | ||
| Sense | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| Robots | Balanescu Quartet | G Major | 3 | 9B | 119 BPM | ||
| Urbi et Orbi | Corpus Dominix | F♯ Minor | 2 | 11A | 86 BPM | ||
| Ricordi di una vita passata | Andrea Farri | C Major | 3 | 8B | 59 BPM | ||
| Heksemusik | Halfdan E, Tallinn's Finest Sinfonietta | C Major | 3 | 8B | 59 BPM | ||
| Ode to Arvo | Carolyn Barela | D Minor | 3 | 7A | 80 BPM |