Rajkishan Agwanpuriya's ' "Karan Maran Te Roye Daarya Kare" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Rajkishan Ki Futkar Ragniya (Vol. 1, 2, 3, 4, 5, 6, 7 & 8)" album is number 5 out of 55. On top of that, France appears to be the country where this track was created. In terms of popularity, Karan Maran Te Roye Daarya Kare is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Karan Maran Te Roye Daarya Kare by Rajkishan Agwanpuriya to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ladali Lumba Jhama | Murlidhar Paudwal | E♭ Minor | 7 | 2A | 171 BPM | ||
| Balam Aa Raha Lukti Firou | Rajendar Kharkiya, Bali Sharma, Ranbir Singh Badwasniya, Sunil | A♭ Major | 7 | 4B | 79 BPM | ||
| Jiji Mero Balam Chalave Gadi - Hindi | Naresh Gurjar, Dinesh Gurjar | F Minor | 7 | 4A | 139 BPM | ||
| Padh K Bhabhuti De Baba | Sumit Kalanaur | B♭ Minor | 9 | 3A | 124 BPM | ||
| Teri Akhya Ke | Master Satbeer Singh | D♭ Major | 9 | 3B | 146 BPM | ||
| Tara Chand Ki | Master Satbeer Singh | A♭ Major | 6 | 4B | 112 BPM | ||
| Haldi Me Rage Ram | Halke Ram Kushwah, Jyoti Kushvah | D♭ Minor | 9 | 12A | 130 BPM | ||
| Pad Le Kan Baba Ji | Sumit Kalanaur | F♯ Major | 8 | 2B | 109 BPM | ||
| Bigde Kam Bnade Baba Jotram | Sumit Kalanaur | B♭ Major | 8 | 6B | 148 BPM | ||
| Re Khatak Gya Sut Tera Kala | Rajender Kharkiya | A Major | 8 | 11B | 157 BPM | ||
| Meheke Mor Bichhawna | Ujala Yadav, Amit R Yadav | E Major | 10 | 12B | 125 BPM | ||
| Pabuji Ri Pad 3 | Maduram, Bhagaram | C Major | 6 | 8B | 113 BPM | ||
| Pind Var Nagoba | Amol Shirsath | A♭ Major | 10 | 4B | 162 BPM | ||
| Aadurar | Karumari Karna | A♭ Minor | 8 | 1A | 86 BPM | ||
| Dan Diye Thee Saas Sasur Ne | Azad Singh | D Major | 3 | 10B | 145 BPM | ||
| Ghana Man Bhatke | Azad Singh Khandakhedi | A Major | 7 | 11B | 87 BPM | ||
| Mane Godiya Le Lo | Mohan Singh | B Major | 8 | 1B | 82 BPM | ||
| Lakh Vaar Mubarak Sabna Nu Ajj Auna Kalgiyan Wale Da | Bhai Ranjit Singh Dhadrianwale | B Major | 9 | 1B | 72 BPM | ||
| Teri Saran Me Aagya Baba | Sumit Kalanaur | B Major | 9 | 1B | 118 BPM | ||
| Iss Te Suthre Aur Bhatere | Rajkishan Agwanpuriya | F Major | 6 | 7B | 103 BPM | ||
| Kad Ke Rukke | Rajender Singh Kharkiya | G Major | 8 | 9B | 112 BPM | ||
| Yalkot Yalkot Jai Malhar | SAI BODGESHWAR | D♭ Major | 8 | 3B | 147 BPM | ||
| Rowan Wali Kyu Rowe | Rajkishan Agwanpuriya | D Minor | 5 | 7A | 102 BPM | ||
| Mane Tan Man Rang Liyo Hey | Narendra Kaushik | A♭ Minor | 9 | 1A | 134 BPM | ||
| Goga Ji | Sonu Kumar, Golu Nath | F♯ Minor | 9 | 11A | 112 BPM |