On March 25, 2009, the song "ファイブ・ミニッツ・モア" was released by Frank Nagai. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. ファイブ・ミニッツ・モア's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in フランク、ジャズを歌う, so we believe that "ファイブ・ミニッツ・モア" is a single. Based on our statistics, ファイブ・ミニッツ・モア's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of ファイブ・ミニッツ・モア by Frank Nagai is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 前橋ブルース | サザンクロス | C Minor | 4 | 5A | 96 BPM | ||
| 涙を抱いた渡り鳥 | Kiyoko Suizenji | F Minor | 3 | 4A | 136 BPM | ||
| 無情の夢 | Frank Nagai | B♭ Major | 3 | 6B | 130 BPM | ||
| ふるさとのはなしをしよう | 北原謙二 | C Major | 3 | 8B | 88 BPM | ||
| 砂に消えた涙 | Jun Mayuzumi | A♭ Major | 3 | 4B | 99 BPM | ||
| 誰もいない処で | Tomoko Ogawa | F Minor | 6 | 4A | 96 BPM | ||
| どうしたらいいの | Shinichiro Hakozaki | G Major | 8 | 9B | 142 BPM | ||
| 石狩挽歌 | Junko Ishihara | B♭ Minor | 5 | 3A | 138 BPM | ||
| 南国土佐を後にして | Peggy Hayama | G Minor | 4 | 6A | 95 BPM | ||
| 浮草の宿 | Tonosama Kings | D Minor | 5 | 7A | 98 BPM | ||
| さよならのあとで | ジャッキー吉川とブルー・コメッツ | B Minor | 6 | 10A | 104 BPM | ||
| 夜の銀狐 | 和田弘とマヒナスターズ | A Minor | 3 | 8A | 74 BPM | ||
| 岸壁の母 | 川中美幸 | A♭ Major | 4 | 4B | 140 BPM | ||
| 雨の御堂筋 | Saori Minami | B Minor | 4 | 10A | 141 BPM | ||
| 七夕の恋 | Yuko Nagisa | F Major | 2 | 7B | 92 BPM | ||
| よこはま・たそがれ | Hiroshi Itsuki | B♭ Minor | 4 | 3A | 106 BPM | ||
| 誰よりも君を愛す | 松尾和子, 和田弘とマヒナスターズ | G Major | 3 | 9B | 80 BPM | ||
| 羽田発7時50分 | Frank Nagai | A♭ Major | 1 | 4B | 84 BPM | ||
| 夕月 | Jun Mayuzumi | F Minor | 4 | 4A | 175 BPM | ||
| 大阪ぐらし | Frank Nagai | A♭ Major | 3 | 4B | 90 BPM | ||
| 夫婦鏡 | Tonosama Kings | A♭ Major | 3 | 4B | 99 BPM | ||
| 瀬戸の花嫁 | Mineko Nishikawa | G Major | 3 | 9B | 91 BPM | ||
| シクラメンのかほり | Akira Fuse | G Minor | 3 | 6A | 150 BPM | ||
| 上海帰りのリル | Sayuri Ishikawa | A Minor | 3 | 8A | 185 BPM | ||
| 湖畔の宿 | 高峰三枝子 | D Minor | 2 | 7A | 83 BPM |