Elmer Bernstein's ' "Captured" was released on its scheduled release date, November 12, 2021. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Stripes (Original Motion Picture Soundtrack)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. In terms of popularity, Captured is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Captured by Elmer Bernstein having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falcon Crest | Mark Ayres | A Minor | 5 | 8A | 112 BPM | ||
| Main Title Overture / The Greatest Game Ever Played - Score | Brian Tyler | C Major | 3 | 8B | 119 BPM | ||
| Murder On The Orient Express - Waltz | Richard Rodney Bennett | C Major | 2 | 8B | 51 BPM | ||
| The Virginian | Geoff Love | F Minor | 7 | 4A | 80 BPM | ||
| "Prepare for Take Off" (Amazing Grace) | George Fenton | C Major | 2 | 8B | 101 BPM | ||
| Mr. And Mrs. Tideman & End Titles | John Scott | F Major | 3 | 7B | 81 BPM | ||
| Main Title | Leonard Rosenman | G Minor | 4 | 6A | 119 BPM | ||
| The Welcoming | Jerome Moross | F Major | 3 | 7B | 76 BPM | ||
| Star Trek IV - The Voyage Home (Main Title Theme) | Leonard Rosenman, Richard Hayman, Philharmonic Rock Orchestra | G Minor | 3 | 6A | 115 BPM | ||
| Airport (Main Title) | Alfred Newman | C Minor | 4 | 5A | 89 BPM | ||
| Main Title | Elmer Bernstein | A Major | 0 | 11B | 80 BPM | ||
| Man with the Golden Arm | Elmer Bernstein, J.A.C. Redford, Carl Allen, Kenny Kirkland, Reginald Veal, Joe Henderson, Terence Blanchard, Steve Turre | D♭ Major | 7 | 3B | 95 BPM | ||
| The Illusionist | Philip Glass | G Minor | 2 | 6A | 74 BPM | ||
| Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
| Main Title: Morgan's Ride | John Debney | A Minor | 6 | 8A | 183 BPM | ||
| Homeward Bound | Jack Trombey | F Major | 7 | 7B | 111 BPM | ||
| The Patriot (Main Theme) | Starlite Orchestra & Singers | C Major | 3 | 8B | 81 BPM | ||
| Middlemarch | Stanley Myers | F Major | 2 | 7B | 87 BPM | ||
| Star Trek: First Contact | M.S. | C Major | 3 | 8B | 123 BPM | ||
| Overture | Miklós Rózsa | B♭ Major | 2 | 6B | 85 BPM | ||
| The Dambusters: March: 'The Dam Busters' | Eric Coates, Slovak Radio Symphony Orchestra | C Major | 1 | 8B | 148 BPM | ||
| Pledge | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 3 | 7A | 115 BPM | ||
| Theme from "The Avengers" | The Laurie Johnson Orchestra | D Minor | 7 | 7A | 137 BPM | ||
| Star Trek: Deep Space Nine - Main Title | Dennis McCarthy | C Major | 2 | 8B | 66 BPM | ||
| Main Title - From Rio Grande, 1950 | John Wayne, Victor Young | A♭ Major | 6 | 4B | 106 BPM |