Philip Glass, Brooklyn Rider's 'String Quartet No. 5: IV.' had a release date set for March 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 28 in Brooklyn Rider Plays Philip Glass by Philip Glass, Brooklyn Rider. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, String Quartet No. 5: IV. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 5: IV. by Philip Glass, Brooklyn Rider is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La damoiselle élue - Hania Rani Rework (After Claude Debussy) | Víkingur Ólafsson, Hania Rani | F Minor | 0 | 4A | 90 BPM | ||
| The First Signs | Julia Kent, Hoshiko Yamane, Library Tapes | G Major | 2 | 9B | 82 BPM | ||
| Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
| Continuum I | Jane Antonia Cornish, Decoda | F♯ Minor | 1 | 11A | 90 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| Your Lunar Way | Federico Albanese | D♭ Major | 3 | 3B | 157 BPM | ||
| Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
| Emerald and Stone | Brian Eno, Jon Hopkins, Leo Abrahams, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
| George's Waltz | Shigeru Umebayashi | D Minor | 2 | 7A | 133 BPM | ||
| Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
| It's Happening Again - Instrumental | Agnes Obel | B♭ Major | 3 | 6B | 172 BPM | ||
| Arise | Isobel Waller-Bridge | G Minor | 4 | 6A | 100 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Sol Levante | Laura Masotto, Mari Samuelsen, Scoring Berlin | C Minor | 5 | 5A | 122 BPM | ||
| Mad Rush: Part D (Bar 232 - Bar 273) | Philip Glass, Vestard Shimkus | F Major | 0 | 7B | 65 BPM | ||
| Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
| David Melrose Theme | Hauschka | D Minor | 0 | 7A | 148 BPM | ||
| 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: II. Adagio | Dmitri Shostakovich, Cuarteto Casals | F♯ Major | 1 | 2B | 83 BPM | ||
| Etude 1 | Nico Muhly, Nadia Sirota | B♭ Major | 2 | 6B | 176 BPM | ||
| In a Landscape | John Cage, Herbert Henck | D Minor | 0 | 7A | 66 BPM | ||
| …And at the Hour of Death | Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM |