Rita Reys, Bengt Hallberg's 'Prelude To A Kiss' had a release date set for January 1, 1959. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Two Jazzy People". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Prelude To A Kiss is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prelude To A Kiss by Rita Reys, Bengt Hallberg having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Statue Of Snow | Sue Raney | G Minor | 1 | 6A | 110 BPM | ||
| A Lovely Way to Spend An Evening | Ann Burton, Louis Van Dijk | A♭ Major | 1 | 4B | 119 BPM | ||
| Piazza di Ombre | uuunderwater | E♭ Major | 3 | 5B | 75 BPM | ||
| Get Home Safe | Jazmine Fontaine | B♭ Minor | 4 | 3A | 107 BPM | ||
| East of the Sun and West of the Moon | Donna Byrne | C Major | 3 | 8B | 129 BPM | ||
| Varnish Overture | marss ala | G Minor | 3 | 6A | 106 BPM | ||
| Arder nuevamente | Eterna Ceniza | C Minor | 2 | 5A | 78 BPM | ||
| Centerpiece | Roberta Gambarini | D♭ Major | 4 | 3B | 120 BPM | ||
| Try A Little Tenderness | Ann Burton, Louis Van Dijk | A♭ Major | 2 | 4B | 111 BPM | ||
| Bandstand Meadowland | Rosalie Jazz | G Minor | 4 | 6A | 122 BPM | ||
| Tiempo lento | Kaelux | C Minor | 2 | 5A | 78 BPM | ||
| The Song in the Matchbook | Miles Laroque | C Major | 2 | 8B | 82 BPM | ||
| A Luminous Trace | Ryan Moret | C Minor | 2 | 5A | 78 BPM | ||
| Body And Soul | Ruth Cameron | F Major | 1 | 7B | 123 BPM | ||
| Sultry Serenade | Pim Jacobs Trio | C Major | 2 | 8B | 109 BPM | ||
| In the Clearing of the Forest ("Geschichten aus dem Wienerwald", Op. 325) | Simone Kopmajer | B♭ Major | 2 | 6B | 127 BPM | ||
| Go Away Little Boy | Ann Burton, Louis Van Dijk, Piet Noordijk | C Major | 3 | 8B | 122 BPM | ||
| I Love You | Pim Jacobs Trio | G Minor | 4 | 6A | 122 BPM | ||
| Do Nothin' Til You Hear From Me | Ann Hampton Callaway | D♭ Major | 2 | 3B | 69 BPM | ||
| Lamppost Base | Impression Blue | C Minor | 3 | 5A | 118 BPM | ||
| Starting Again Here | Velour JAZZ | B♭ Minor | 2 | 3A | 82 BPM | ||
| Frieze Panel | Fireside Jazz | D Minor | 2 | 7A | 82 BPM | ||
| Gone With the Wind | Rita Reys | A♭ Major | 2 | 4B | 127 BPM | ||
| Marble Terrace | Fireside Jazz | G Minor | 3 | 6A | 115 BPM | ||
| Mirage | Joel Evans & Friends | B Minor | 1 | 10A | 126 BPM |