"All-night Vigil, Op. 37, "Vespers": Lobe den Herrn, meine Seele" by Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström had its release date on October 17, 2004. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Rachmaninov: Vespers, Op. 37". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. All-night Vigil, Op. 37, "Vespers": Lobe den Herrn, meine Seele is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-night Vigil, Op. 37, "Vespers": Lobe den Herrn, meine Seele by Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bergman : Hathor Suite : I | Erik Bergman, The Finnish Chamber Choir, Eric-Olof Söderström | B♭ Minor | 2 | 3A | 79 BPM | ||
| Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | ||
| Hymn To The Mother Of God (Bogoroditse Devo) | Victor Kalinnikov, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 0 | 7A | 87 BPM | ||
| Kullervo, Op. 61, Act I Scene 2: Entr'acte. "Oli kerran mies, jonka hänen veljensä tosissaan yritti tappaa..." | Aulis Sallinen, Jorma Hynninen, Eeva-Liisa Saarinen, Matti Salminen, Jorma Silvasti, Satu Vihavainen, Anna-Lisa Jakobsson, Pertti Makela, Juha Kotilainen, Paula Etelavuori, Marko Putkonen, Matti Heinikari, Esa Ruuttunen, Vesa-Matti Loiri, Finnish National Opera Chorus, Finnish National Opera Orchestra, Ulf Söderblom | F♯ Major | 1 | 2B | 185 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: Zamuchen tiazheloi nevolei [Tormented by a Lack of Freedom] [reconstructed by M. Fitz-Gerald] | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 169 BPM | ||
| Sarmanto : New England Images: I. The Ancient Apple Tree (Näkymiä Uudesta Englannista: I. Vanha omenapuu) | Heikki Sarmanto, The Finnish Chamber Choir, Eric-Olof Söderström | F Major | 2 | 7B | 115 BPM | ||
| Nine sili nebesniye | Alexander Sheremetiev, Chorovaya Akademia | E Major | 0 | 12B | 134 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 2 | 8B | 99 BPM | ||
| Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Requiem, Op. 9 (1961 version): Sanctus | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | G Minor | 1 | 6A | 136 BPM | ||
| Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Barbara Bonney, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Wiener Staatsopernchor | F Major | 1 | 7B | 116 BPM | ||
| Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | ||
| Albinoni / Giazotto: The Beatitudes (Adagio) | Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn | C Minor | 2 | 5A | 95 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Gloria sit Patri Domin | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Boys Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Sarmanto : New England Images: II. Butterfly (Näkymiä Uudesta Englannista: II. Perhonen) | Heikki Sarmanto, The Finnish Chamber Choir, Eric-Olof Söderström | C Major | 4 | 8B | 119 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
| Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
| Calme des nuits, Op. 68, No. 1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — | Frederick Delius, The Carice Singers, George Parris | A Major | 2 | 11B | 130 BPM | ||
| Vespers, Op. 37: VIII. "Kvalite imya Gospodne" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | B♭ Major | 5 | 6B | 109 BPM |