Rita Reys's 'You'd Better Love Me' had a release date set for August 6, 1969. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. You'd Better Love Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rita Reys Today". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. You'd Better Love Me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You'd Better Love Me by Rita Reys having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lacquer Serenade | marss ala | F Minor | 2 | 4A | 70 BPM | ||
| A-Tisket, A-Tasket | April Varner | A♭ Major | 5 | 4B | 138 BPM | ||
| Backroom Serenade | Polaroid Sessions | C Minor | 2 | 5A | 72 BPM | ||
| Nave in Porcelain | walkin around jazz | E♭ Major | 3 | 5B | 75 BPM | ||
| A Good Good Day | Timeless Tone | C Major | 3 | 8B | 116 BPM | ||
| Mistral Promenade | marss ala | E♭ Major | 3 | 5B | 75 BPM | ||
| To My Inconstant Mistress | Zuzana Bing | A Minor | 4 | 8A | 115 BPM | ||
| Champagne at Noon | Evening Jazz Radio | D Major | 3 | 10B | 125 BPM | ||
| Soon | Rita Reys | A♭ Major | 4 | 4B | 168 BPM | ||
| Your Voice Lingers | Velour JAZZ | C Minor | 0 | 5A | 140 BPM | ||
| Empty Roads, Warm Cup | Diner Express | C Major | 2 | 8B | 80 BPM | ||
| Cigarettes and Goodbyes | Choll | G Major | 1 | 9B | 97 BPM | ||
| Starting Again Here | Velour JAZZ | B♭ Minor | 2 | 3A | 82 BPM | ||
| Gramophone Coda | Crying Mirror | G Major | 3 | 9B | 79 BPM | ||
| Again | Ruth Cameron | C Major | 1 | 8B | 114 BPM | ||
| Paper Airplanes | Sherbourne Rivers | F Major | 4 | 7B | 77 BPM | ||
| A Kiss on the Forehead | Zuzana Bing | E♭ Minor | 2 | 2A | 80 BPM | ||
| Cerulean Salon | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| The Right to Love | Cæcilie Norby | C Major | 2 | 8B | 114 BPM | ||
| My Funny Valentine | Rita Reys, Wessel Ilcken Combo | B♭ Major | 1 | 6B | 82 BPM | ||
| Suppertime | Cæcilie Norby | G Major | 2 | 9B | 174 BPM | ||
| Vintage Vinyl Jazz | Murmur Haven | C Minor | 5 | 5A | 131 BPM | ||
| Song For Ma | Soesja Citroen, Michael Moore | E♭ Minor | 4 | 2A | 111 BPM | ||
| Love Me or Leave Me | Rita Reys | D♭ Major | 3 | 3B | 116 BPM | ||
| Mocha Swirl | Impression Blue | B♭ Major | 3 | 6B | 105 BPM |