"Missa pro mortuis: Graduale: Si ambulem - Live Recording" by Simone de Bonefont, Huelgas Ensemble, Paul Van Nevel had its release date on April 1, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Simone de Bonefont: Missa pro Mortuis". In this album, this song's track order is #3. Missa pro mortuis: Graduale: Si ambulem - Live Recording is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa pro mortuis: Graduale: Si ambulem - Live Recording by Simone de Bonefont, Huelgas Ensemble, Paul Van Nevel having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deus caritas est | Ars Poliphonica | B Minor | 0 | 10A | 123 BPM | ||
| Angelus ad pastores ait | Andrea Gabrieli, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
| Miserere mei, Deus | Philippe de Monte, Collegium Vocale Gent, Philippe Herreweghe | F Minor | 2 | 4A | 85 BPM | ||
| William Byrd - Gloria | Quire of Voyces | F Minor | 3 | 4A | 84 BPM | ||
| Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
| Vespro della Beata Vergine, SV 206: Et misericordia | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | D Minor | 4 | 7A | 132 BPM | ||
| Most Holy mother of God | Ars Poliphonica | B Minor | 0 | 10A | 123 BPM | ||
| Missa de Requiem: II. Kyrie | Pierre de Manchicourt, Utopia Ensemble | F Major | 0 | 7B | 87 BPM | ||
| Stabat Mater pour dix voix et basse continue: VI. Fac me vere tecum flere | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Tallis: Lamentations of Jeremiah 1 - 1. Incipit lamentatio Jeremiae | Thomas Tallis, The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 137 BPM | ||
| Mrs. M. E. her funeral tears for the death of her husband: 1. Grief, keep within | John Danyel, Ruby Hughes, Jonas Nordberg, Mime Yamahiro-Brinkmann | B Minor | 0 | 10A | 123 BPM | ||
| Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
| Agnus Dei, Missa Puer Natus Est | Pomerium | G Major | 1 | 9B | 133 BPM | ||
| Das Blut Jesu Christi | Johann Michael Bach, Vox Luminis, Lionel Meunier, Scorpio Collectief | F Major | 1 | 7B | 74 BPM | ||
| Miserere: IV. Redde mihi laetitiam | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 174 BPM | ||
| Benedictus sis tu | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | C Minor | 0 | 5A | 75 BPM | ||
| Offertorium: I. Domine Jesu Christe, Rex gloriae | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 91 BPM | ||
| Miserere mei Deus, C. 116: IV. Asperges me hyssopo | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Major | 2 | 7B | 73 BPM | ||
| Nigra sum, sed formosa | Ars Poliphonica | B Minor | 0 | 10A | 123 BPM | ||
| Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
| O Lord, Give Thy Holy Spirit | Thomas Tallis, Alamire, David Skinner | F♯ Minor | 2 | 11A | 81 BPM | ||
| Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM |