"What Remains" by Wolverine had its release date on May 23, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Communication Lost by Wolverine. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, What Remains's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of What Remains by Wolverine is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Plans (feat. Petter Carlsen) | Long Distance Calling, Petter Carlsen | G Major | 8 | 9B | 135 BPM | ||
| Release | Wolverine | E Minor | 4 | 9A | 64 BPM | ||
| Sarah | Wolverine | D♭ Minor | 3 | 12A | 139 BPM | ||
| Writing on the Wall | Anekdoten | C Major | 6 | 8B | 115 BPM | ||
| Cinder | Mother of Millions | B Major | 5 | 1B | 150 BPM | ||
| The Approaches | Subsignal | B♭ Major | 8 | 6B | 115 BPM | ||
| Lost | Ray Alder | G Major | 7 | 9B | 133 BPM | ||
| The Persistence | Kingcrow | A Major | 9 | 11B | 132 BPM | ||
| Echo | Leprous | A Minor | 8 | 8A | 108 BPM | ||
| Submerged | Spock's Beard | A Major | 7 | 11B | 145 BPM | ||
| Goliath's Moon | Southern Empire | F♯ Minor | 8 | 11A | 170 BPM | ||
| Satellite | Votum | C Minor | 8 | 5A | 94 BPM | ||
| Come to Me | Mystery | E Minor | 9 | 9A | 115 BPM | ||
| Computer Eyes | Ayreon | E Minor | 7 | 9A | 97 BPM | ||
| Surreal | Amarok | A Major | 5 | 11B | 115 BPM | ||
| Night's Descending | Kingcrow | B Minor | 6 | 10A | 126 BPM | ||
| Where Angels Fear To Tread | Subsignal | F Minor | 7 | 4A | 92 BPM | ||
| Under Dark Skies | Ray Alder | D♭ Minor | 8 | 12A | 84 BPM | ||
| The Longest Year | Katatonia | C Minor | 6 | 5A | 133 BPM | ||
| Rabble | Funky Fresh | E Major | 7 | 12B | 110 BPM | ||
| The Takedown | Rendezvous Point | E Major | 8 | 12B | 91 BPM | ||
| Your Favourite War | Wolverine | B Minor | 6 | 10A | 176 BPM | ||
| Press Reset | Tim Bowness | C Minor | 5 | 5A | 123 BPM | ||
| I Am Me. I Am Free | The Paradox Twin | B♭ Minor | 6 | 3A | 110 BPM | ||
| Rose Colored Glasses | Transatlantic | D Major | 6 | 10B | 131 BPM |