"The Covenant" by Jason Graves had its release date on February 16, 2015. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Covenant's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Order: 1886 (Video Game Soundtrack)". In this album, this song's track order is #9. The Covenant is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Covenant by Jason Graves having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ravaged Ascension | Maclaine Diemer | G Major | 0 | 9B | 79 BPM | ||
| Das Moor | Drakensang | D Major | 0 | 10B | 68 BPM | ||
| Attack Of The Arathim | Samuel Sim, Daniel Pemberton | D Major | 4 | 10B | 137 BPM | ||
| He Sees Hope | Jack Wall | G Minor | 4 | 6A | 78 BPM | ||
| Furors | Austin Wintory | G Major | 2 | 9B | 92 BPM | ||
| Streets of Arkham | Graham Plowman | E Minor | 1 | 9A | 166 BPM | ||
| Spirits Released | The Flight | B♭ Major | 0 | 6B | 140 BPM | ||
| Echoes of the Past | Bobby Tahouri | E Major | 1 | 12B | 145 BPM | ||
| Through The Underworld | Krzysztof Wierzynkiewicz | C Minor | 2 | 5A | 100 BPM | ||
| Poison Cake With Milk | Chris Wirsig | G Minor | 1 | 6A | 117 BPM | ||
| Myst-Eries | Rob Westwood | F Minor | 1 | 4A | 180 BPM | ||
| Welcome to the Trash Coast | Raison Varner | D♭ Major | 6 | 3B | 130 BPM | ||
| Queen of Roses: Awakening | Russell Shaw | B♭ Major | 1 | 6B | 80 BPM | ||
| Doomhammer | Jeff van Dyck | G Major | 8 | 9B | 94 BPM | ||
| In the Darkest Hour (From "The Order: 1886" Video Game Soundtrack) | Jason Graves | F Minor | 2 | 4A | 68 BPM | ||
| Asylum | Abel Korzeniowski | B♭ Major | 1 | 6B | 111 BPM | ||
| Distant Tension | Ah2 | E♭ Major | 7 | 5B | 130 BPM | ||
| Path to the Enigma | Pawel Perepelica | D Minor | 2 | 7A | 120 BPM | ||
| Late Night at the Last Resort | Beyond the Ghost | C Minor | 2 | 5A | 83 BPM | ||
| Mired in Blood (From Baldur's Gate: Dark Alliance 2) | Craig Stuart Garfinkle | E Minor | 4 | 9A | 74 BPM | ||
| Tower of Lightmass | Steve Jablonsky, Jacob Shea, Gears of War | C Minor | 3 | 5A | 134 BPM | ||
| Voeld | John Paesano | D Minor | 1 | 7A | 65 BPM | ||
| Crying | Kevin Riepl | G Major | 1 | 9B | 91 BPM | ||
| Oaths | Austin Wintory | A♭ Minor | 2 | 1A | 115 BPM | ||
| Infected | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | F♯ Minor | 4 | 11A | 110 BPM |