"Lieder der Liebe: Thou Hast Ravished My Heart" by Carl Rütti, Cambridge Voices, Veronica Henderson, Ian Moore had its release date on January 2, 1995. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Rütti: Lieder der Liebe". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Lieder der Liebe: Thou Hast Ravished My Heart is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lieder der Liebe: Thou Hast Ravished My Heart by Carl Rütti, Cambridge Voices, Veronica Henderson, Ian Moore having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | ||
| Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
| Poem: Flucht | Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore, Silja Walter | B♭ Major | 1 | 6B | 80 BPM | ||
| Still, Still Night | Seattle Girls' Choir | D♭ Major | 0 | 3B | 78 BPM | ||
| Konzert für Alphorn in F und Streicher: Rondo | Matthias Kofmehl, Arco Musicale, Carl Rütti | C Major | 2 | 8B | 114 BPM | ||
| Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | ||
| Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
| Magnificat in D Major | Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders | D Major | 1 | 10B | 138 BPM | ||
| Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
| Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | ||
| We Shall Walk Through The Valley (arr. Undine Smith Moore for Apollo5) | Undine Smith Moore, Apollo5 | C Major | 0 | 8B | 103 BPM | ||
| Echo des Carpathes: Andante - rubato, a piacere | Matthias Kofmehl, Ferenc Farkas, Carl Rütti | A♭ Minor | 0 | 1A | 68 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIc. Qui tollis peccata mundi | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Hail Gladdening Light | Charles Wood, The Mancunium Consort | A Major | 2 | 11B | 73 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| Fögur er foldin | Anders Öhrwall, Matthías Jochumsson, Kór Langholtskirkju | E Minor | 0 | 9A | 84 BPM | ||
| Three carols: III. My dancing day | Carl Rütti, Christopher Duarte | E♭ Major | 2 | 5B | 81 BPM | ||
| On Jordan's Bank the Baptist Cry | Roger Wilcock & The London Fox Players | B♭ Major | 2 | 6B | 81 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM |