Hinder's ' "Red Tail Lights" was released on its scheduled release date, January 1, 2010. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 10 in All American Nightmare by Hinder. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Red Tail Lights is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Red Tail Lights by Hinder is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Back To Me | 3 Doors Down | C Major | 7 | 8B | 146 BPM | ||
| Hear Me Now (feat. Diamante) - Acoustic | Bad Wolves, DIAMANTE | G Minor | 7 | 6A | 122 BPM | ||
| Buried Alive | Evans Blue | C Minor | 9 | 5A | 182 BPM | ||
| Dying Slowly | Saint Asonia | E♭ Minor | 9 | 2A | 168 BPM | ||
| Man of Many Faces | Any Given Sin | D♭ Minor | 8 | 12A | 146 BPM | ||
| We Were Men | Theory of a Deadman | D Minor | 8 | 7A | 133 BPM | ||
| The Life | Hinder | D Major | 7 | 10B | 152 BPM | ||
| So Far Away | Deepfield | G Major | 9 | 9B | 164 BPM | ||
| Caught In a Dream | Tesla | G Major | 7 | 9B | 150 BPM | ||
| Answers | Submersed | F♯ Major | 9 | 2B | 140 BPM | ||
| Never Surrender | Like A Storm | A♭ Major | 10 | 4B | 93 BPM | ||
| Prodigal | Blacktop Mojo | E♭ Minor | 5 | 2A | 140 BPM | ||
| Darker Side of the Moon | Otherwise | D♭ Minor | 10 | 12A | 137 BPM | ||
| Forbidden You | Emphatic, Bill Hudson | D♭ Minor | 9 | 12A | 132 BPM | ||
| Letting Go | Tantric | F♯ Minor | 9 | 11A | 100 BPM | ||
| Welcome To My Head | Wayland | G Major | 9 | 9B | 172 BPM | ||
| Better Place | Saint Asonia | F♯ Major | 9 | 2B | 188 BPM | ||
| Lips Of A Liar | Under The Flood | B Minor | 9 | 10A | 160 BPM | ||
| These Are The Days | The Exies | A♭ Major | 8 | 4B | 144 BPM | ||
| Erase My Scars | Evans Blue | C Minor | 9 | 5A | 148 BPM | ||
| Stray | The Exies | C Minor | 8 | 5A | 159 BPM | ||
| All or Nothing | Theory of a Deadman | B♭ Minor | 8 | 3A | 152 BPM | ||
| At First Sight | Submersed | D♭ Major | 9 | 3B | 136 BPM | ||
| I'm Still Alive | Saving Abel | F Major | 8 | 7B | 152 BPM | ||
| Remember When | Bad Wolves | C Major | 10 | 8B | 105 BPM |