Jerry Goldsmith's 'The Fire' had a release date set for January 1, 1992. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. The Fire's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jerry Goldsmith's "Medicine Man (Original Motion Picture Soundtrack)" album is number 13 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Fire's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Fire by Jerry Goldsmith to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Robin Hood: Prince of Thieves | Cinematic Symphony Orchestra | F Major | 3 | 7B | 99 BPM | ||
| Epilogue / End Title | James Horner | G Major | 3 | 9B | 97 BPM | ||
| Wine With Stacey - From A View To A Kill | Rich Douglas | A♭ Minor | 1 | 1A | 93 BPM | ||
| The Buoyant Swordsman | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 4 | 7A | 106 BPM | ||
| He’s The One Alright | Don Davis | D Minor | 3 | 7A | 134 BPM | ||
| End Credit - Final Chronicle | Graeme Revell | C Minor | 7 | 5A | 92 BPM | ||
| Main Title/Riders Of Taramis - Conan The Destroyer/Soundtrack Version | Basil Poledouris | A Minor | 7 | 8A | 137 BPM | ||
| The Horn's Sound/ Regnar Returns | Mario Nascimbene, Mario Nascimbene Studio Orchestra | F Major | 2 | 7B | 104 BPM | ||
| Star Trek VI Suite - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Major | 3 | 8B | 70 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| This Is A Tale... | Nigel Westlake | C Major | 3 | 8B | 103 BPM | ||
| The Golden Compass | Alexandre Desplat | E♭ Major | 1 | 5B | 88 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| Star Trek: Voyager Main Title Extended Version | Various Artists | F♯ Major | 3 | 2B | 100 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| Introduction (Titles) | Danny Elfman | F Minor | 2 | 4A | 115 BPM | ||
| Flight Through Never land | Joel McNeely | C Major | 3 | 8B | 76 BPM | ||
| Suite From The Nox | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Overture | Alex North | A Major | 3 | 11B | 100 BPM | ||
| Main Title From Carrie | Pino Donaggio, Prague Philharmonic Chamber Orchestra | C Minor | 1 | 5A | 115 BPM | ||
| Phenomenon | Thomas Newman | C Major | 0 | 8B | 77 BPM | ||
| My Way to Love You | Silviu Michaels, Sade | C Major | 3 | 8B | 110 BPM | ||
| Drive Montage | Basil Poledouris | B♭ Major | 3 | 6B | 123 BPM | ||
| Arrival At The Palace - Main Theme Title | George Fenton | D Minor | 2 | 7A | 97 BPM | ||
| The Hotel Ambush | Don Davis | A Minor | 3 | 8A | 140 BPM |