David Mead's ' "No One Left To Blame" was released on its scheduled release date, May 15, 2001. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Mead's "Mine And Yours" album is number 6 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, No One Left To Blame's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of No One Left To Blame by David Mead to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baby in Two | Pernice Brothers | B Minor | 6 | 10A | 143 BPM | ||
| Across the Avenue | Freedy Johnston | A Minor | 5 | 8A | 112 BPM | ||
| Madison | Jude Cole | D Major | 8 | 10B | 119 BPM | ||
| Bad Reputation | Freedy Johnston | E Minor | 7 | 9A | 114 BPM | ||
| Sit & Listen To The Rain | Whiskeytown | F Major | 5 | 7B | 149 BPM | ||
| Safe & Warm | Superdrag | D Major | 4 | 10B | 99 BPM | ||
| Venus Again | David Mead | F Major | 9 | 7B | 105 BPM | ||
| Wedding Day | Rosie Thomas | D Major | 4 | 10B | 81 BPM | ||
| Very Best Years | The Grays | G Major | 6 | 9B | 175 BPM | ||
| Sunspot Stopwatch | Pete Droge | E Major | 4 | 12B | 115 BPM | ||
| New Constellation | Toad The Wet Sprocket | G Major | 8 | 9B | 143 BPM | ||
| Wilted Rose | Steven Page | D Major | 9 | 10B | 130 BPM | ||
| Linger | Jonatha Brooke | G Major | 6 | 9B | 176 BPM | ||
| She, Luisa | David Mead | B Major | 2 | 1B | 112 BPM | ||
| California Brown And Blue | Denison Witmer | D Major | 5 | 10B | 145 BPM | ||
| Six O'Clock News | Kathleen Edwards | C Major | 8 | 8B | 121 BPM | ||
| Beautiful Regret | Isaac Bailey | F♯ Minor | 5 | 11A | 71 BPM | ||
| Sending a Note | Graham Colton Band | E Minor | 8 | 9A | 123 BPM | ||
| Minnesota | The Push Stars | G Major | 10 | 9B | 110 BPM | ||
| Comfort | David Mead | A Major | 5 | 11B | 80 BPM | ||
| Love Leads to Nothing | Emmett Skyy | E Major | 8 | 12B | 118 BPM | ||
| Changing Your Mind | Bob Schneider, Patty Griffin | A Major | 3 | 11B | 122 BPM | ||
| Fill Me Up | Shawn Colvin | G Major | 7 | 9B | 125 BPM | ||
| Crestfallen | Pernice Brothers | G Major | 7 | 9B | 113 BPM | ||
| All That I Had | Paul Westerberg | E Major | 6 | 12B | 96 BPM |