Bud Shank Quartet, Bob Cooper's ' "The Nearness Of You - Live At The California Institute Of Technology, Pasadena, CA, 1956" was released on its scheduled release date, January 1, 1956. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bud Shank Quartet's "Jazz At Cal-Tech" album is number 3 out of 8. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Nearness Of You - Live At The California Institute Of Technology, Pasadena, CA, 1956's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Nearness Of You - Live At The California Institute Of Technology, Pasadena, CA, 1956 by Bud Shank Quartet, Bob Cooper to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unexpected Train | Mario Monty | E♭ Major | 3 | 5B | 63 BPM | ||
| Union Staircases | Fifth Bar | F Major | 4 | 7B | 122 BPM | ||
| The Brownstone Sessions | Elliot Crane | F Major | 4 | 7B | 122 BPM | ||
| Penniless Thoughts | Red Door Quartet | F Major | 4 | 7B | 122 BPM | ||
| Streetscape Amphitheatre | Mono Noir Jazz | D Minor | 3 | 7A | 137 BPM | ||
| Golden Horn Jam | Horn Society | F Major | 2 | 7B | 61 BPM | ||
| Mid-City Elegance | Maison de Jazz | C Major | 1 | 8B | 72 BPM | ||
| Appreciate | León Areíto | E Minor | 4 | 9A | 76 BPM | ||
| Hat’s Shadow | Vallea | C Major | 1 | 8B | 85 BPM | ||
| Up Blues | Hampton Hawes | C Major | 3 | 8B | 134 BPM | ||
| Ondine | Oscar Pettiford | C Major | 2 | 8B | 84 BPM | ||
| Be My Love | Kenny Drew Trio | D Minor | 6 | 7A | 137 BPM | ||
| Dream State | Julian Moonray | C Major | 0 | 8B | 147 BPM | ||
| The Phantom | Luna Devera | C Major | 5 | 8B | 168 BPM | ||
| Returns | Nerra Vale | B♭ Major | 1 | 6B | 103 BPM | ||
| Back Alley Memory | Jazz & Co. | F Major | 4 | 7B | 122 BPM | ||
| Lumesso | Blue Rectangles | E♭ Major | 0 | 5B | 134 BPM | ||
| Cobalt Studio | Jazzhaus | A♭ Major | 4 | 4B | 104 BPM | ||
| Edges of Nature, Pt. XII | Collebot | F Minor | 3 | 4A | 125 BPM | ||
| Nocturne For Flute | Bud Shank Quartet, Claude Williamson | B♭ Major | 3 | 6B | 88 BPM | ||
| What They Did with the Furniture | Modanova | B Minor | 1 | 10A | 110 BPM | ||
| Cobalt Skyline | Microgroove | D Minor | 5 | 7A | 88 BPM | ||
| lavender garden reflections | easy evenings | A♭ Major | 1 | 4B | 129 BPM | ||
| Gloria | Kenny Drew Trio | D♭ Major | 3 | 3B | 133 BPM | ||
| Funicular Vista | Blue Rectangles | D Minor | 1 | 7A | 113 BPM |