"Concierto Para Quinteto (Guitar Part Transcribed For Harp)" by Leticia Moreno, Remy Van Kesteren, Pablo Mainetti, José Gallardo, Janne Saksala had its release date on September 15, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Piazzolla". In this album, this song's track order is #6. Based on our statistics, Concierto Para Quinteto (Guitar Part Transcribed For Harp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concierto Para Quinteto (Guitar Part Transcribed For Harp) by Leticia Moreno, Remy Van Kesteren, Pablo Mainetti, José Gallardo, Janne Saksala having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Pieces, Op. 7: 1. Love Song (Arr. Kocián for Violin and Piano) | Josef Suk, Janine Jansen, Antonio Pappano | A♭ Major | 2 | 4B | 101 BPM | ||
| A Midsummer Night's Dream, Op. 61 (arr. for Wind Quintet): VI. Scherzo. Allegro vivace | Felix Mendelssohn, Ma'alot Quintett | A Major | 2 | 11B | 142 BPM | ||
| String Quintet No. 2 in G, Op. 111: II. Adagio | Johannes Brahms, Nash Ensemble | F Major | 1 | 7B | 159 BPM | ||
| "Summertime" - from Porgy and Bess | George Gershwin, Joshua Bell, Peter Dugan | B Minor | 2 | 10A | 163 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| Cello Concerto in E minor, Op. 85: II. Lento - Allegro molto | Sol Gabetta | G Major | 1 | 9B | 84 BPM | ||
| Sérénade A Dulcinée | Ernesto Halffter, Leticia Moreno, Ana-Maria Vera | A Minor | 1 | 8A | 128 BPM | ||
| Cello Concerto in E minor, Op. 85: I. Adagio - Moderato | Sol Gabetta | E Minor | 1 | 9A | 100 BPM | ||
| La Muerte Del Ángel (Guitar Part Transcribed For Harp) | Leticia Moreno, Remy Van Kesteren, Pablo Mainetti, José Gallardo, Janne Saksala | A Minor | 2 | 8A | 136 BPM | ||
| Trysting Fields | Gidon Kremer | C Minor | 1 | 5A | 79 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Violin Sonata in A Major, FWV 8: II. Allegro | César Franck, Isabelle Faust, Alexander Melnikov | G Minor | 1 | 6A | 108 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Swan Lake, Op. 20, TH.12 / Act 3: Danse russe (Moderato) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | A Minor | 1 | 8A | 144 BPM | ||
| Brighten Up | Veridia | A♭ Minor | 6 | 1A | 137 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | G Minor | 0 | 6A | 134 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for Cello & Orchestra) | Pyotr Ilyich Tchaikovsky, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | F♯ Major | 1 | 2B | 86 BPM | ||
| Sadko: Hindoo Song (Song of India) | Nikolai Rimsky-Korsakov, Gil Shaham, Akira Eguchi | C Major | 0 | 8B | 176 BPM | ||
| Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: III. Intermezzo | Felix Mendelssohn, Quatuor Arod | A Major | 4 | 11B | 126 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Après un rêve | Gabriel Fauré, Charlie Siem, Paul Goodwin | G Minor | 1 | 6A | 97 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Antonio Pappano | E♭ Major | 1 | 5B | 86 BPM | ||
| Goldmark: Violin Concerto in A Minor, Op. 28: II. Andante | Karl Goldmark, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 2 | 8B | 103 BPM | ||
| 12 Danzas espanolas (Spanish Dances), Op. 37 (arr. P. Breiner): No. 2 Orientale: Andante | Peter Breiner, Enrique Granados, Norbert Kraft, Razumovsky Sinfonia | C Minor | 0 | 5A | 92 BPM |