Paul Rawson, Daniel Farrant's ' "I'm Coming for You" was released on its scheduled release date, February 26, 2020. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. I'm Coming for You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Best Of Guitar Scene, Vol. 1". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, I'm Coming for You's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With I'm Coming for You by Paul Rawson, Daniel Farrant having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just Like the Old Days | The Swayback | F Major | 4 | 7B | 91 BPM | ||
| Bardy Bounce | Grateful Ged, James Corbin, Paul Rawson | D♭ Minor | 8 | 12A | 157 BPM | ||
| Rosie | Bruce Peninsula | F♯ Minor | 2 | 11A | 139 BPM | ||
| No War | Cari Cari | G Major | 8 | 9B | 170 BPM | ||
| Hellbound Train | David Baerwald | C Minor | 5 | 5A | 97 BPM | ||
| Dogs of War | Blues Saraceno | D Major | 7 | 10B | 75 BPM | ||
| Call Me Devil | Friends in Tokyo | D Minor | 7 | 7A | 62 BPM | ||
| You Will Leave Me Too | Heidi Harries, David John, Paul Rawson | B Major | 3 | 1B | 117 BPM | ||
| Dark Matter | Les Friction | B Minor | 4 | 10A | 120 BPM | ||
| In Hell I Am | David Luning | D Major | 6 | 10B | 146 BPM | ||
| Take Me Outta Here | Kerim Gunes, Nicholas Ryness Hirsch, Virgil Howe | D Major | 9 | 10B | 124 BPM | ||
| Rise up Dead Man | Port Sulphur Band | D Major | 3 | 10B | 60 BPM | ||
| Fugitive | Raphael Lake, Daniel Murphy, Mark Greenwood | A Minor | 9 | 8A | 90 BPM | ||
| Muddy Waters | The Gospel Whiskey Runners | D Minor | 5 | 7A | 74 BPM | ||
| Blood Sweat & Murder | Scott H. Biram | A Major | 8 | 11B | 115 BPM | ||
| So Long | Delaney Davidson | B♭ Minor | 8 | 3A | 123 BPM | ||
| Dig Your Grave | Erick Serna and The Killing Floor | D Minor | 8 | 7A | 135 BPM | ||
| Black | Kari Kimmel | D♭ Major | 5 | 3B | 74 BPM | ||
| She Got Me on the Run | Daniel Farrant, Paul Rawson | D Major | 6 | 10B | 126 BPM | ||
| Trigger | Mississippi Twilight | F♯ Major | 3 | 2B | 200 BPM | ||
| Nothing Left to Hide | Nine One One | F Minor | 6 | 4A | 115 BPM | ||
| Ready for the Devil (No Mercy) | Vision Vision | E Major | 6 | 12B | 94 BPM | ||
| Death Don't Have No Mercy | Esterly, Eric McSpadden | B Minor | 5 | 10A | 148 BPM | ||
| Tiger Eyes | Claire Guerreso | B Minor | 8 | 10A | 68 BPM | ||
| Be a Doll | Daniel Farrant, Paul Rawson | F Major | 9 | 7B | 135 BPM |