Olóye Felipe's ' "Òrìsà Nlá" was released on its scheduled release date, June 24, 2024. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 20 in Candomblé por Olóye Felipe by Olóye Felipe. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. In terms of popularity, Òrìsà Nlá is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Òrìsà Nlá by Olóye Felipe is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantigas para Exú | Mestres Navegantes, Ilê Axé Alaketu Oya Funan, Elielson Pi, Ebomi Cátia | A♭ Major | 9 | 4B | 61 BPM | ||
| Yansan-Oya - Nation Angola | Traditionnel | A Major | 6 | 11B | 107 BPM | ||
| Exu Veludo Patrão | Vagner de Aganjú | B Minor | 6 | 10A | 120 BPM | ||
| Zé Pereira | Ponto de jurema | F♯ Major | 4 | 2B | 104 BPM | ||
| Angorô | Afoxé Bandarerê, Nengua Mesoenji | D Major | 5 | 10B | 93 BPM | ||
| Eu Entrei na Mata / Caboclo Malunguinho | Gustavo Omã, Ponto de jurema | A♭ Minor | 4 | 1A | 170 BPM | ||
| Cânticos para Ogum | Ilê Ashé Ogum Sogbô, Pai Airton de Ogum Abá | E Minor | 5 | 9A | 170 BPM | ||
| Canticos dos Orixas Oya | Pejigan Anderson de Bessen | G Minor | 7 | 6A | 129 BPM | ||
| São Benedito | J.B. De Carvalho | A♭ Major | 6 | 4B | 105 BPM | ||
| Dobrei a Esquina | Léo Zé Das Almas, Vagner de Aganjú | D♭ Minor | 5 | 12A | 118 BPM | ||
| Lembá No. 1 / Lembá No. 2 | Ekedi Nicinha | E♭ Minor | 5 | 2A | 130 BPM | ||
| Chegada de Caboclo | PAI ZÉ PRETO DE OXUM, FERNANDO DE IEMANJÁ | E♭ Major | 6 | 5B | 81 BPM | ||
| Ewa | Dofono de Omulu | B♭ Major | 3 | 6B | 128 BPM | ||
| TERRA DE ANJO CIDADE DE SATANÁS-PONTO DE DEMANDA | Ogan Helder | B Major | 4 | 1B | 83 BPM | ||
| 7 Cidades Malunguinho | Gustavo Omã | D♭ Major | 8 | 3B | 200 BPM | ||
| Toque Alujá de Xangô e outros dois toques | Mestres Navegantes, Ilê Kaio Alaketu Axé Oxum, Mãe Preta | E♭ Major | 8 | 5B | 91 BPM | ||
| Rompe Mato I, II e III | A Música e o Pará | A Major | 7 | 11B | 115 BPM | ||
| Hunho | Huntó Bará Sojí | C Major | 7 | 8B | 92 BPM | ||
| Mestre Sibamba É uma Garrafa com Carinho | Olóye Felipe | A♭ Major | 7 | 4B | 95 BPM | ||
| Cantigas para Oxum | Mestres Navegantes, Ilê Kaio Alaketu Axé Oxum, Mãe Preta | D Minor | 8 | 7A | 121 BPM | ||
| Oberekete | Joeliton Vieira | A♭ Minor | 4 | 1A | 200 BPM | ||
| Mata Cheirava Pó Caboclo de Pena - Ao Vivo | Tata Kasulembê, Tata Ofarodê | E Major | 4 | 12B | 112 BPM | ||
| Saudação de Exú | Curimbeiros | D♭ Major | 6 | 3B | 115 BPM | ||
| Cântico para Iansã | ILÊ FUN FUN | F Major | 9 | 7B | 149 BPM | ||
| Oba | Dofono de Omulu | G Minor | 3 | 6A | 46 BPM |