"Rorem : Santa Fe Songs : IV Sonnet" by Ned Rorem, Susan Graham, Ensemble Oriol had its release date on February 18, 2000. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Rorem : Santa Fe Songs : IV Sonnet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Rorem : 32 Songs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Rorem : Santa Fe Songs : IV Sonnet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rorem : Santa Fe Songs : IV Sonnet by Ned Rorem, Susan Graham, Ensemble Oriol having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | D Minor | 2 | 7A | 73 BPM | ||
| Piano Album I: 1 + 1 = 3 | Ned Rorem, Carolyn Enger | D Major | 0 | 10B | 74 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | C Minor | 1 | 5A | 136 BPM | ||
| Fireworks (Live) | Frescobaldi & Tabataki | E Major | 2 | 12B | 95 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | C Minor | 1 | 5A | 136 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Clairières dans le ciel für Sopran und Klavier: No. 8, Vous m'avez regardé avec toute votre âme - 1914 | Lili Boulanger, Ehrbar Ensemble, Gerrit Zitterbart, Heidrun Blase | N/A | N/A | N/A | 0 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Liederkreis, Op. 39: No. 5, Mondnacht (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Música callada I: No. 6, Lento | Federico Mompou, Stephen Hough | G Major | 0 | 9B | 70 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | ||
| Concerto for English Horn and Orchestra: IV. Perpetual Motion | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 1 | 9B | 103 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| 12 Nocturnes: No. 9, Sigrids Wiegenlied | Bent Sørensen, Katrine Gislinge | C Minor | 1 | 5A | 136 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Love | Ned Rorem, Thomas Lodge, Aaron Parks, Almaz Yebio | F Major | 1 | 7B | 134 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | C Minor | 1 | 5A | 136 BPM | ||
| 12 Lieder von Franz Schubert, S. 558 (Excerpts): No. 3, Du bist die Ruh | Franz Liszt, Goran Filipec | E♭ Major | 0 | 5B | 125 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation VII. Meno mosso, a tempo moderato | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | ||
| Rorem : "Early in the morning" | Ned Rorem, Susan Graham | C Minor | 0 | 5A | 72 BPM | ||
| Serenade in G Major: II. Air. Lento, ma non troppo (Original Version) | Ernest John Moeran, Ulster Orchestra, Joann Falletta | B♭ Major | 3 | 6B | 156 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM |