Tito Schipa's 'Torna A Surriento' had a release date set for 1927. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Neapolitan Songs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Torna A Surriento is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Torna A Surriento by Tito Schipa having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Luisa Fernanda, Acto i: Introducción y habanera del saboyano | José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Estrella Alsina, Pedro Lavirgen | D Minor | 2 | 7A | 88 BPM | ||
| L'ultimo arpeggio | Misterius | G Minor | 3 | 6A | 51 BPM | ||
| Fedora: Amor ti vieta | Umberto Giordano, Enrico Caruso, Vienna Radio Symphony Orchestra, Gottfried Rabl | C Major | 2 | 8B | 99 BPM | ||
| Mírate en el espejo | Ofelia Nieto, Carlos Galeffi | E Major | 4 | 12B | 139 BPM | ||
| La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | ||
| Nabucco, Act III: Va, pensiero "Chorus of the Hebrew Slaves" - Live at the Llangollen International Musical Eisteddfod, 1995 | Giuseppe Verdi, Corale Gioachino Rossini, BBC Philharmonic, Leone Magiera | E♭ Major | 1 | 5B | 80 BPM | ||
| Tango Of Roses (with Hugo Winterhalter & His Orchestra) | Lou Monte, Hugo Winterhalter And His Orchestra | D Major | 3 | 10B | 111 BPM | ||
| La Cumparsita (Si supieras): La cumparista [Si supieras] | Gerardo Matos Rodríguez, Tito Schipa | G Minor | 1 | 6A | 115 BPM | ||
| Violino Tzigano | Luciano Tajoli | B Major | 4 | 1B | 112 BPM | ||
| Munasterio 'E Santa Chiara | Mario Abbate | F♯ Major | 1 | 2B | 172 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Ciliegi rosa | Nilla Pizzi | A♭ Major | 1 | 4B | 120 BPM | ||
| La colomba | Luciano Taioli | G Major | 1 | 9B | 120 BPM | ||
| Torna a Surriento (Come Back to Sorrento) | Ernesto de Curtis, Tito Schipa | F Major | 2 | 7B | 89 BPM | ||
| Amapola | Tito Schipa | B♭ Minor | 2 | 3A | 114 BPM | ||
| 'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
| Comme Facette Mammeta | Tito Schipa | A♭ Major | 2 | 4B | 70 BPM | ||
| Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
| Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | ||
| Sento nel core | Tito Schipa | G Minor | 1 | 6A | 85 BPM | ||
| La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
| Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | F Major | 3 | 7B | 172 BPM | ||
| Fedora, Act II: Amor ti vieta | Umberto Giordano, Mario Lanza, Ray Heindorf | C Major | 3 | 8B | 86 BPM |