Beat Down Sound's ' "Piglet\'s Lament" was released on its scheduled release date, January 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 10 in Echo Box by Beat Down Sound. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Piglet\'s Lament is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Piglet\'s Lament by Beat Down Sound is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Genevieve - Quantic Remix | Greyboy, Bart Davenport, Quantic | A♭ Minor | 9 | 1A | 117 BPM | ||
| Make Dub Not War | Flowering Inferno, Quantic | D Major | 6 | 10B | 144 BPM | ||
| Ruffneck Jazz | Greyboy, Harold Todd | B♭ Minor | 5 | 3A | 96 BPM | ||
| In My Life | Soulive | A Major | 5 | 11B | 103 BPM | ||
| The Melee | Beastie Boys | F Major | 6 | 7B | 100 BPM | ||
| Shaggy Dog | Danny and The Velairs | F Minor | 6 | 4A | 124 BPM | ||
| Henry The Great | Jackie Mittoo | D Major | 5 | 10B | 102 BPM | ||
| Freaky Hijiki | Beastie Boys | F Major | 5 | 7B | 108 BPM | ||
| High Class | Nick Bampton | G Major | 7 | 9B | 173 BPM | ||
| Welcome Home Stranger | Jim Morrison | F Major | 3 | 7B | 105 BPM | ||
| Ease Back | The Meters | A Major | 7 | 11B | 154 BPM | ||
| Right Time | Bobby Alu | B Minor | 5 | 10A | 104 BPM | ||
| 54-46 (Was My Number) | Ernest Ranglin | C Major | 2 | 8B | 173 BPM | ||
| Budokan | The Cactus Channel | A Minor | 7 | 8A | 140 BPM | ||
| Short Strokes | Ray Barbee Meets the Mattson 2 | F♯ Minor | 5 | 11A | 156 BPM | ||
| And for My Next Trick | Remulak | D♭ Minor | 10 | 12A | 128 BPM | ||
| Six Underground | The New Mastersounds | F Major | 8 | 7B | 167 BPM | ||
| Everything Is Everything | Booker T. Jones | A Major | 9 | 11B | 101 BPM | ||
| BBQ & Pimms | Souleance | B♭ Minor | 7 | 3A | 97 BPM | ||
| The Dime Train | Mark Rae | A♭ Major | 9 | 4B | 174 BPM | ||
| Witch Doctor | Galactic | E♭ Major | 7 | 5B | 173 BPM | ||
| Taking Liberties | Ray Barbee | B Minor | 5 | 10A | 97 BPM | ||
| Too Easy | The Wiseguys | G Major | 9 | 9B | 99 BPM | ||
| Loose Cartilage | The Black Seeds | A Minor | 7 | 8A | 96 BPM | ||
| Guimar | Aim | E♭ Minor | 4 | 2A | 160 BPM |