On July 12, 2024, the song "Pelo Vanjhiyo Taad Pelo Phano" was released by Jashvant Rathva. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Rojdi". In this album, this song's track order is #13. Furthermore, we believe that the track originated from India. In terms of popularity, Pelo Vanjhiyo Taad Pelo Phano is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pelo Vanjhiyo Taad Pelo Phano by Jashvant Rathva having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sathi Chhute Na | Jayesh Barot, Mahalaxmi Iayar, Nisha Barot, Vikram Thakor, Sadhana Sargam | B Minor | 8 | 10A | 90 BPM | ||
| Dungarama Hirni Dori Re Lakadu | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | A♭ Major | 8 | 4B | 124 BPM | ||
| Shrinathji Sharanam Mamh | Dr. Dipali Bhatt | B♭ Major | 5 | 6B | 150 BPM | ||
| Nache Le Chori Nachle Chori Aajki Rate Nindomai | Jashvant Rathva, Satish Tarabada, Tulsi Tarabada | B♭ Minor | 8 | 3A | 120 BPM | ||
| Janune Rojna Dakha - Original | Vikram Chauhan, Chandan Megahni | D♭ Major | 9 | 3B | 110 BPM | ||
| Tor Chunur Chunur | Purvi Chandrakar | A♭ Minor | 10 | 1A | 136 BPM | ||
| Jeni Zamak Vage Ghugharali | Kamlesh Barot | F♯ Minor | 9 | 11A | 128 BPM | ||
| Bahuchar Bavani | Atul Purohit, Himali Vora, Iqbal Meer | E Major | 6 | 12B | 94 BPM | ||
| Mobile Phone Chori Kayam | Jashvant Rathva | F Minor | 8 | 4A | 112 BPM | ||
| Dungariye Manga Aave | Kamlesh Barot | G Minor | 5 | 6A | 162 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Thali Bharkar Layi Khichdo | Sheetal Pandey | F♯ Major | 8 | 2B | 85 BPM | ||
| Thirupparam Kundrathil | Deshan Styler Naidoo | G Major | 6 | 9B | 178 BPM | ||
| Ganpati Aayo Baapa | Pamela Jain, Vikram Thakor | D♭ Major | 4 | 3B | 141 BPM | ||
| Jai Adhyashakti Aarti | Bipin Sathiya | F Minor | 5 | 4A | 104 BPM | ||
| Surapura Dada Ni Aarti | Mita Chauhan | F Major | 8 | 7B | 90 BPM | ||
| Radha Radha O Radha | Vikram Thakor, Shilpa Thakor | B♭ Major | 6 | 6B | 127 BPM | ||
| Anand Vaaja Vage.. Mangal Aarti | Rekha Rawal, Parthiv Gohil | E♭ Major | 4 | 5B | 107 BPM | ||
| Khodiyar Maa Mateliye | Alpa Patel | A♭ Major | 9 | 4B | 100 BPM | ||
| Dhan Kata Gali | KIRAN KHARA, DAMO HANTAL | B♭ Minor | 9 | 3A | 72 BPM | ||
| Shiv ki yaad rahegi | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Jungle Ka Raja | Sanjay Kirade, Heena Dawar | E Minor | 7 | 9A | 130 BPM | ||
| Shree Chakravasini | Pramod, Pradeep | A Minor | 7 | 8A | 146 BPM | ||
| Mandir Taru | Nidhi Dholakia | E♭ Major | 4 | 5B | 96 BPM | ||
| Vanjhari Reshmi Rumali | Jashvant Rathva | B♭ Minor | 8 | 3A | 116 BPM |