Kords's ' "Hey Intel" was released on its scheduled release date, March 25, 2019. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Hey Intel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kords's "Glitch Abstract" album is number 3 out of 7. The popularity of Hey Intel is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hey Intel by Kords to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clouds Finally Parting | Mokhov | C Major | 7 | 8B | 129 BPM | ||
| Bright Shadow | Brimstone | F♯ Minor | 4 | 11A | 126 BPM | ||
| hard truth | True World | D Major | 6 | 10B | 140 BPM | ||
| Nights With You | VonnBoyd | D♭ Major | 5 | 3B | 134 BPM | ||
| Blunder | Redkat | A Minor | 5 | 8A | 113 BPM | ||
| Stay High | Einius | F Minor | 8 | 4A | 145 BPM | ||
| Augment | VonnBoyd | B♭ Minor | 2 | 3A | 145 BPM | ||
| The Other Side | Nora Jay | C Major | 5 | 8B | 80 BPM | ||
| Fixings | 36 Dreams | C Major | 5 | 8B | 80 BPM | ||
| Overture | Kords | F Major | 7 | 7B | 142 BPM | ||
| Huntai | Kords | B♭ Major | 6 | 6B | 165 BPM | ||
| Traverse | The Dark of Night, The Light of Day | G Major | 6 | 9B | 106 BPM | ||
| Lost | Luga | F Major | 6 | 7B | 120 BPM | ||
| Intrinsic | Homeomorphic | G Minor | 0 | 6A | 179 BPM | ||
| Neophobia | Ṿ Ʌ Ẏ U, VonnBoyd | C Minor | 6 | 5A | 160 BPM | ||
| Inner Tide | Innera Calm | D Major | 6 | 10B | 140 BPM | ||
| Sanning | Lazarus Moment | B Minor | 6 | 10A | 130 BPM | ||
| Amor Postdistopico | Lab's Cloud | A Minor | 6 | 8A | 110 BPM | ||
| Night Travelers | TV in Bed | E Minor | 6 | 9A | 120 BPM | ||
| Distance | Arda Leen | D Major | 6 | 10B | 140 BPM | ||
| Winter | Arda Leen, Reиovatio | G Major | 8 | 9B | 140 BPM | ||
| Left Behind | Fotiz Liberis | A♭ Minor | 8 | 1A | 140 BPM | ||
| Ammolite | Subsets | D Minor | 5 | 7A | 80 BPM | ||
| The Day After | Kords | F Minor | 6 | 4A | 102 BPM | ||
| Reminders | Arda Leen | E♭ Minor | 5 | 2A | 130 BPM |