"Nana" by Manuel de Falla, Mayte Martin, Katia Labèque, Marielle Labèque had its release date on September 11, 2008. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Nana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 14 in De Fuego y de Agua by Mayte Martin, Katia Labèque, Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Nana is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nana by Manuel de Falla, Mayte Martin, Katia Labèque, Marielle Labèque is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | ||
| Damunt de tu Només les flors | Federico Mompou, Arcadi Volodos | F Minor | 0 | 4A | 73 BPM | ||
| Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Granados: 12 Danzas españolas: No. 5, Andaluza | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| 12 Danzas españolas, Op. 37, H. 142: No. 2, Oriental (Arr. for Violin & Piano by Anonymous) | Enrique Granados, Janna Gandelman, Laia Martín | C Minor | 1 | 5A | 89 BPM | ||
| El Sombrero de tres picos, Parte II: Danza del molinero. Farruca | Manuel de Falla, Carmen Romeu, Mahler Chamber Orchestra, Pablo Heras-Casado | G Major | 1 | 9B | 107 BPM | ||
| Barrios Mangoré: Julia Florida | Agustín Barrios Mangoré, Thibaut García | D Major | 0 | 10B | 84 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
| Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
| Gluck: La plainte d’Orphée (Arr. Kempff for Piano After Dance of the Blessed Spirits from Orfeo, Wq. 30) | Christoph Willibald Gluck, Shani Diluka | D Minor | 0 | 7A | 76 BPM | ||
| Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Woman's Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
| Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (Arr. I. Friedman) | Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 77 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 1 | 9B | 66 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| El cant dels ocells (Version for Cello & String Quartet) | Pau Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
| Denza: Funiculì-funiculà (Orch. Schoenberg) | Luigi Denza, Orchestre De L'Opéra National De Lyon | G Minor | 3 | 6A | 74 BPM | ||
| Les Indes galantes, RCT 44: Musette (Arr. for Piano by Ignaz Friedman) | Jean-Philippe Rameau, Joseph Banowetz | G Major | 0 | 9B | 152 BPM |