"Vêpres de l'Immaculée Conception - Antienne "Hodie" et "Magnificat"" by Chant Grégorien, Choeur des moines de l'abbaye Notre Dame de Fontgombault had its release date on October 1, 1987. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Chant Grégorien, Choeur des moines de l'abbaye Notre Dame de Fontgombault's "Immaculée Conception" album is number 20 out of 24. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Vêpres de l'Immaculée Conception - Antienne "Hodie" et "Magnificat" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vêpres de l'Immaculée Conception - Antienne "Hodie" et "Magnificat" by Chant Grégorien, Choeur des moines de l'abbaye Notre Dame de Fontgombault to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spiritus Vitae | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Cantori Gregoriani, Gregorian Chants | A♭ Minor | 0 | 1A | 70 BPM | ||
| Universi qui te expectant | Anonymous, Chœur de l'abbaye Notre-Dame de Timadeuc | A Minor | 1 | 8A | 130 BPM | ||
| Répons Qui Lazarum | Chant Grégorien, Choeur des moines de l'abbaye Notre Dame de Fontgombault | A♭ Major | 0 | 4B | 133 BPM | ||
| Graduale. Benedicta et venerabilis es, Virgo Maria | Anonymous, Cistercian Monks of Stift Heiligenkreuz | D Major | 1 | 10B | 135 BPM | ||
| Terribilis Est (Introito) | Juan Carlos Asensio Palacios | F Major | 1 | 7B | 75 BPM | ||
| Puer Natus | The Norbertine Fathers Of St. Michael's Abbey | B Major | 1 | 1B | 69 BPM | ||
| Misa del Día: Aleluya DIES SANCTIFICATUS (2º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | G Minor | 1 | 6A | 137 BPM | ||
| Cantus Missarum: Ingressa: Respice in me | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | B♭ Major | 1 | 6B | 78 BPM | ||
| La Messe - Gloria I | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Minor | 1 | 6A | 84 BPM | ||
| Assumpta Est Maria E Magnificat | Benedettini di san Paolo fuori le mura | E Major | 1 | 12B | 133 BPM | ||
| Séquence Dies iræ | Chant Grégorien, Choeur des moines de l'abbaye Notre Dame de Fontgombault | D Major | 0 | 10B | 91 BPM | ||
| Rex Cæli Domine (Secuencia a 2 Voces) | Juan Carlos Asensio Palacios | B Major | 1 | 1B | 117 BPM | ||
| Livre de Job : Répons. Paucitas diérum meorum | Choeur grégorien de Paris | C Major | 1 | 8B | 74 BPM | ||
| Hymne | Monks Of The Benedictine Abbey Of Calcat | F Minor | 1 | 4A | 109 BPM | ||
| Verbum Caro Factum Est - Alternate | Elaria, Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk | D Minor | 1 | 7A | 132 BPM | ||
| Communio: Ierusalem surge | Marek Klein | E Major | 0 | 12B | 129 BPM | ||
| Répons Subvenite | Chant Grégorien, Choeur des moines de l'abbaye Notre Dame de Fontgombault | D Major | 0 | 10B | 91 BPM | ||
| Viri Galilei - VII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
| Introït "Iustus ut pa | Choeur de moines de l'Abbaye Notre-Dame de Fontgombault | E Minor | 3 | 9A | 65 BPM | ||
| Quinto Domingo Después de Pascua: Aleluya: Surrexit Christus (1er. modo) | Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | F Major | 2 | 7B | 104 BPM | ||
| Laudes-Notre Père | Chœur de l'abbaye Notre-Dame de Tamié, Philippe Hémon, Laurent Grégoire | A♭ Minor | 1 | 1A | 79 BPM | ||
| Introitus: Laetare | Cantarte Regensburg | E♭ Major | 1 | 5B | 143 BPM | ||
| Del Kyriale: Agnus Dei del Tono IV | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 68 BPM | ||
| Adorate Deum - VII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
| Dum medium (Nativitas) | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM |