Ravindra Sathe's ' "Aarti Dnyanraja" was released on its scheduled release date, August 20, 1999. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Aarti Dnyanraja's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 20 in Aarti Sangraha by Shrdhir Fadke. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aarti Dnyanraja is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aarti Dnyanraja by Ravindra Sathe is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Krishna Stuti | Ashit Desai, Bhakti Choir | B♭ Major | 2 | 6B | 130 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Khamma Re Bahuchar Maat - Aarti | Ami Joshi, Asif Jeriya | F Minor | 7 | 4A | 87 BPM | ||
| Evadha Vel Ka Laavilaa | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Devichi Aarti - Durge Durghat Bhari | Sejal Marathe | F Major | 5 | 7B | 175 BPM | ||
| Aali Aali Samarthachi Feri | Mahendra Warekar, Ravindra Sathe | F♯ Minor | 8 | 11A | 170 BPM | ||
| Pimpalachya Zada Mage | Anjali Nandgavakar | F♯ Minor | 3 | 11A | 108 BPM | ||
| Mathurama Maharaniji | Master Rana | A Major | 5 | 11B | 80 BPM | ||
| Lavthavti Vikrala - Shankar Aarti | Ravindra Sathe | D Major | 5 | 10B | 94 BPM | ||
| Panchayudha Stotram | Bhandhavi | E Minor | 5 | 9A | 151 BPM | ||
| Panyane Marali | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Kore Kagdacha Chhuna | Shakuntala Jadhav | E♭ Major | 4 | 5B | 217 BPM | ||
| Jay Jay Avadhuta Aarti | Rucha Soman Padhye, Umesh Joshi, Avanti Baporikar | F♯ Major | 3 | 2B | 95 BPM | ||
| Karimamughane Deva | Veeramanidasan | G Major | 8 | 9B | 127 BPM | ||
| Jai Jai Swami Samarth Mantra | Mahendra Warekar, Ravindra Sathe | B Major | 6 | 1B | 171 BPM | ||
| Owala Majhya Sadguru Raya | Ajeet Kumar Kadkade | D♭ Major | 6 | 3B | 171 BPM | ||
| Tujhe Dakya Karu | Baba Maharaj Satarkar | B♭ Major | 7 | 6B | 75 BPM | ||
| Lage Vrindavan Niko | Asif Jeriya, Ami Joshi | B♭ Major | 6 | 6B | 82 BPM | ||
| Mantra Pushpanjali Shlok | Ravindra Sathe | F♯ Major | 3 | 2B | 89 BPM | ||
| Pavamanasuktam | Govindarajan, Malola Kannan | B Major | 5 | 1B | 112 BPM | ||
| Dhoon Jay Jay Sai | Mohan Sundrani | C Major | 7 | 8B | 80 BPM | ||
| Maa Baapne Bhulso Nahin | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 128 BPM | ||
| Keelaka Stotram | J. Bhaktavatsalam, Ganesan, Na | C Major | 4 | 8B | 136 BPM | ||
| Vedam Bevvani | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Khamma Khamma Bahucharma | Sachin Limaye, Gaytri Upadhyay | F Minor | 7 | 4A | 87 BPM |