Classical Study Music for Concentration by Xiang Shu, Study Music & Sounds, Classical Music for Studying, Classical Music for Concentration Song Details

Xiang Shu, Study Music & Sounds, Classical Music for Studying, Classical Music for Concentration's ' "Classical Study Music for Concentration" was released on its scheduled release date, April 25, 2025. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Classical Study Music for Concentration's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 30 in Classical Focus Study Music for Deep Concentration and Productivity by Xiang Shu, Study Music & Sounds, Classical Music for Studying, Classical Music for Concentration. The popularity of Classical Study Music for Concentration is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

The tempo marking of Classical Study Music for Concentration by Xiang Shu, Study Music & Sounds, Classical Music for Studying, Classical Music for Concentration is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Music Key

The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

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Popularity: 0%
Loudness: -23.215 dB
Acousticness: 99%
Danceability: 36%
Energy: 5%
Instrumentalness: 85%
Liveness: 13%
Loudness: 61%
Speechiness: 6%
Valence: 40%

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