"Trash Day" by Benjamin Wallfisch had its release date on August 29, 2025. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "The Conjuring: Last Rites (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Trash Day is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trash Day by Benjamin Wallfisch having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Biking to Theater | Benjamin Wallfisch | G Minor | 5 | 6A | 129 BPM | ||
| Possession | Nicholas Hooper | D♭ Major | 1 | 3B | 76 BPM | ||
| Joi | Hans Zimmer, Benjamin Wallfisch | C Major | 2 | 8B | 69 BPM | ||
| The Price Of A Good Trick | The Prestige | A Minor | 2 | 8A | 72 BPM | ||
| Oppenheimer | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Rain | Hans Zimmer, Benjamin Wallfisch | G Major | 1 | 9B | 68 BPM | ||
| Searching | Benjamin Wallfisch | B♭ Minor | 5 | 3A | 83 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| Limetown | Ronit Kirchman | A Minor | 3 | 8A | 65 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Samira | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Calm - Original Mix | Elara Lilara | D♭ Major | 2 | 3B | 116 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| Journey To Dignitas | Craig Armstrong | C Minor | 1 | 5A | 64 BPM | ||
| Pure spirits of the forest | James Horner | C Major | 0 | 8B | 97 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM | ||
| The Second Story | Mychael Danna | E Minor | 0 | 9A | 138 BPM | ||
| Volmer Institut | Benjamin Wallfisch | F Minor | 4 | 4A | 96 BPM | ||
| The bioluminescence of the night | James Horner | D♭ Minor | 0 | 12A | 128 BPM | ||
| Saint Luke's | Carlos Rafael Rivera | C Minor | 2 | 5A | 106 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| The Friends | Nicholas Hooper | C Major | 1 | 8B | 74 BPM | ||
| January Embers | Benjamin Wallfisch | G Minor | 1 | 6A | 178 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM |