On September 15, 2005, the song "Big Chief De Sota" was released by Ray Noble. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ray Noble's "In the Spotlight: Ray Noble" album is number 27 out of 32. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Big Chief De Sota's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Big Chief De Sota by Ray Noble to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| Rum & Coca-Cola | Vaughn Monroe | C Major | 2 | 8B | 113 BPM | ||
| Love me Tonight: Isn't It romantic | Carroll Gibbons' Savoy Orpheans | A Major | 2 | 11B | 83 BPM | ||
| Going Hollywood | Alex Mendham and His Orchestra | B♭ Major | 3 | 6B | 135 BPM | ||
| Steppin' in Rhythm | Glenn Crytzer | A Minor | 4 | 8A | 158 BPM | ||
| They Jittered All the Time | Fletcher Henderson | G Minor | 1 | 6A | 73 BPM | ||
| Song of the Plow | Eddie Condon and his Orchestra, Alex Hill | E♭ Minor | 3 | 2A | 105 BPM | ||
| Never In a Million Years (with Cy Feuer & His Orchestra) - 78 rpm Version | Alice Faye, Cy Feuer & His Orchestra | B♭ Major | 1 | 6B | 115 BPM | ||
| One Dozen Roses | Connee Boswell | A Minor | 2 | 8A | 93 BPM | ||
| Never Hitch Your Wagon to a Star | Henry Hall, The BBC Dance Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
| Calm as the Night | Maxine Sullivan, John Kirby and His Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
| This Is a Changing World | Noel Coward | A Major | 0 | 11B | 45 BPM | ||
| Little Pal | Philip Lewis/Rhythm Maniacs | B♭ Major | 5 | 6B | 117 BPM | ||
| The Fable of the Rose | Glen Gray, Kenny Sargent, Casa Loma Orchestra | E Major | 4 | 12B | 113 BPM | ||
| I'll Never Smile Again | Larry Stewart, Ray Noble | D♭ Major | 1 | 3B | 85 BPM | ||
| Ah, But is It Love | Adrian Rollini, Adrian Rollini's Orchestra | C Major | 2 | 8B | 109 BPM | ||
| The Moon Got in My Eye | Alice Faye, Hal Kemp And His Orchestra | A♭ Major | 1 | 4B | 112 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Celery Stalks At Midnight | Will Bradley | C Major | 4 | 8B | 147 BPM | ||
| Why Am I so Romantic? | Sam Lanin & His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| I've Been Drafted (Now I'm Drafting You) | Chuck Foster | F Minor | 4 | 4A | 95 BPM | ||
| What a Day! | Parker Gibbs, Ted Weems & His Orchestra | C Major | 5 | 8B | 108 BPM | ||
| If I Could Be with You One Hour Tonight | George E. Lee & His Orchestra | F Major | 2 | 7B | 124 BPM | ||
| Peggy O'Neil | The Lancers | B♭ Major | 1 | 6B | 141 BPM | ||
| Sunny Skies | The Piccadilly Players | B♭ Major | 5 | 6B | 113 BPM |