Rory Block's 'Spiderboy' had a release date set for 1995. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Turning Point". In this album, this song's track order is #5. In terms of popularity, Spiderboy is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Spiderboy by Rory Block having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It Would Be Better for the Bad to Be Good | Henrik Freischlader | A♭ Major | 2 | 4B | 168 BPM | ||
| I Got Plenty | Big Daddy Wilson | A Major | 4 | 11B | 172 BPM | ||
| Easy Money | Rickie Lee Jones | E Minor | 2 | 9A | 103 BPM | ||
| Over The Hill | John Hiatt | C Major | 7 | 8B | 82 BPM | ||
| I'm Not Ashamed To Sing The Blues | Diane Schuur | E Minor | 3 | 9A | 115 BPM | ||
| Down The Dirt Road Blues | Rory Block | D♭ Major | 1 | 3B | 108 BPM | ||
| I Can't Be Satisfied | Curtis Salgado, Alan Hager | D Major | 6 | 10B | 99 BPM | ||
| Hound Dog | Dee Dee Bridgewater | B Minor | 5 | 10A | 140 BPM | ||
| Slow Train | Hans Theessink | D Major | 2 | 10B | 112 BPM | ||
| Goin' Back To The Country | Rory Block | G Major | 4 | 9B | 124 BPM | ||
| Roll It Down | Ray Bonneville | F Major | 5 | 7B | 116 BPM | ||
| Matter of Time | Ana Popovic | F Major | 3 | 7B | 103 BPM | ||
| Singin' In Chains | MY BABY | A Major | 2 | 11B | 72 BPM | ||
| Ode to Billie Joe | Nicola Conte, Bridgette Amofah | F♯ Major | 6 | 2B | 175 BPM | ||
| Special Rider | Rory Block, Stefan Grossman | D♭ Major | 2 | 3B | 115 BPM | ||
| Smalltown Blues | Ruthie Foster | E Major | 7 | 12B | 202 BPM | ||
| Hold To His Hand | Rory Block | B Major | 2 | 1B | 112 BPM | ||
| Mississippi Me | Big Daddy Wilson | F♯ Major | 4 | 2B | 130 BPM | ||
| Jim Lee Blues Pt. 1 | Samantha Fish | A Major | 6 | 11B | 95 BPM | ||
| Freedom Road | Indra Rios-Moore | F Minor | 3 | 4A | 206 BPM | ||
| The Beat Goes On | Patricia Barber | G Major | 1 | 9B | 103 BPM | ||
| Clap Yo Hands and Moan | Shakura S'Aida | A♭ Major | 5 | 4B | 90 BPM | ||
| You're Everything | Robert Cray, The Robert Cray Band | D Minor | 4 | 7A | 145 BPM | ||
| When the Levee Breaks | Cary Morin, Jean-Jacques Milteau | A Minor | 2 | 8A | 104 BPM | ||
| Walking Blues | Rory Block, Stefan Grossman | B♭ Major | 1 | 6B | 106 BPM |