"Toreador and Andalouse" by Anton Rubinstein, Mischa Raginsky, Concert Hall Orchestra had its release date on August 1, 1960. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 14 in Around the World, Vol. 1 by Mischa Raginsky, Concert Hall Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Toreador and Andalouse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toreador and Andalouse by Anton Rubinstein, Mischa Raginsky, Concert Hall Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Consolation No. 2 in E Major, S. 172/2 | Franz Liszt, Vladimir Horowitz | E Major | 0 | 12B | 50 BPM | ||
| Pandora | Lucas King | D♭ Minor | 1 | 12A | 73 BPM | ||
| Whispers of the Aurora | Adeline Lumière | A Minor | 0 | 8A | 63 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
| Nocturne in E-Flat Major | Mikhail Glinka, Xavier De Maistre | E♭ Major | 0 | 5B | 81 BPM | ||
| Piano Sonata in G Minor: 2. Adagio | Clara Schumann, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 137 BPM | ||
| 6 Consolations, S.172: No. 2, Un poco più mosso | Franz Liszt, Saskia Giorgini | B Major | 0 | 1B | 133 BPM | ||
| Brahms - Op.116 No.3 Capriccio G minor | Elena Kuschnerova | B♭ Major | 1 | 6B | 80 BPM | ||
| 10 Pieces, Op. 13: No. 2, Étude "La gondole" | Adolf von Henselt, Sergio Gallo | F♯ Major | 0 | 2B | 70 BPM | ||
| Moods, Impressions & Souvenirs, Op. 41, Book 1: No. 36, Andante amoroso | Zdeněk Fibich, William Howard | D♭ Major | 0 | 3B | 137 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Petite Suite: VI. Sérénade. Allegretto | Alexander Borodin, Marco Rapetti | B♭ Major | 1 | 6B | 93 BPM | ||
| Nocturne in A Flat, WoO 3 | Alexander Scriabin, Valentina Lisitsa | A♭ Major | 0 | 4B | 68 BPM | ||
| Mendelssohn - Lieder, S547/R217 (7 Lieder From Mendelssohn, Op, 19a, 34, 47) : Suleika(from Op. 34, No. 4) | Joseph Banowetz, Franz Liszt | F♯ Major | 1 | 2B | 60 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 96: II. Andante | Anton Rubinstein, Werner Thomas-Mifune, Yuri Ahronovich, Bamberg Symphony | F Major | 0 | 7B | 97 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Transc. A. Solti] | Johann Sebastian Bach, Roberto Cominati | D Major | 0 | 10B | 127 BPM | ||
| The Demon, Prologue: (Scene 1) Demon's Monologue | Anton Rubinstein, Anatoly Lochak, Alison Browner, Marina Mescheriakova, Leonid Zimnenko, Valeriy Serkin, Richard Robson, Ludmilla Andrew, Wjacheslav Weinorowski, Wexford Festival Opera Chorus, National Symphony Orchestra Of Ireland, Alexander Anissimov | D♭ Major | 1 | 3B | 84 BPM | ||
| Moods, Impressions and Souvenirs, Op. 41: IV. Poème | Zdeněk Fibich, Balazs Szokolay | E Major | 0 | 12B | 126 BPM | ||
| Les saisons (The Seasons), Op. 37b: III. March: Song of the Lark | Ilya Rachkovsky | E Major | 1 | 12B | 131 BPM | ||
| Nocturne No. 5 in B-Flat Major | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | ||
| Character Pieces, MA Ms. 44 (selections): II. Andante, in G Major | Fanny Mendelssohn, Beatrice Rauchs | G Major | 0 | 9B | 77 BPM | ||
| Nocturne No. 4 in A Major, H. 36 | John Field, Benjamin Frith | A Major | 1 | 11B | 183 BPM | ||
| Contes bleus, No. 2 Op. 122 | Cécile Chaminade, Eric Parkin | E♭ Major | 1 | 5B | 110 BPM | ||
| Melody in F Op. 3 No. 1 | Anton Rubinstein, Moura Lympany | F Major | 0 | 7B | 77 BPM | ||
| No. 10 Mazurka In D Minor | Joseph Banowetz, Anton Rubinstein | D Major | 0 | 10B | 170 BPM |