Bob Hope's ' "Harry Lime Theme - Remastered" was released on its scheduled release date, May 22, 2020. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Harry Lime Theme - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bob Hope's "Golden Selection (Remastered)" album is number 6 out of 33. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Harry Lime Theme - Remastered's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Harry Lime Theme - Remastered by Bob Hope to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On the Atchison, Topeka and the Santa Fe | Judy Garland | F♯ Major | 3 | 2B | 84 BPM | ||
| Heart and Soul | Bea Wain | A Minor | 1 | 8A | 107 BPM | ||
| Tangerine | Jimmy Dorsey & His Orchestra, Bob Eberly, Helen O'Connell | B Minor | 2 | 10A | 155 BPM | ||
| I'll Always Love You | Martha Tilton | A♭ Major | 2 | 4B | 134 BPM | ||
| Serenade In Blue | Paul Whiteman & His Orchestra, Martha Tilton | E Minor | 2 | 9A | 81 BPM | ||
| Blue Skies Are Around The Corner | Jack Hylton & His Orchestra | G Major | 4 | 9B | 133 BPM | ||
| My Melancholy Baby | Gene Austin, Nathaniel Shikret Orchestra | A Minor | 1 | 8A | 107 BPM | ||
| You're an Old Smoothie | Diahann Carroll | E Minor | 3 | 9A | 114 BPM | ||
| California, Here I Come | Al Jolson | F Major | 2 | 7B | 79 BPM | ||
| Who Wouldn't Love You | Kay Kyser & His Orchestra | A Minor | 1 | 8A | 107 BPM | ||
| Life Is Just A Bowl Of Cherri - From "George White Scandals Of 1931" | Ethel Merman | E♭ Major | 3 | 5B | 179 BPM | ||
| It's All In The Game - 1951 Version / Bonus Track | Tommy Edwards | E♭ Major | 2 | 5B | 86 BPM | ||
| Stuff Like That There | Betty Hutton, Robert Norberg | B♭ Major | 3 | 6B | 159 BPM | ||
| Indian Love Call | Jeanette MacDonald, Nelson Eddy | F Major | 2 | 7B | 90 BPM | ||
| You're the Cream in My Coffee | Ruth Etting | A Minor | 1 | 8A | 107 BPM | ||
| Buttons and Bows | Dinah Shore | A Minor | 1 | 8A | 107 BPM | ||
| The Merry-Go-Round Broke Down | Jimmie Lunceford & His Orchestra | F Major | 3 | 7B | 77 BPM | ||
| K-K-K-Katy | Billy Murray | A Minor | 1 | 8A | 107 BPM | ||
| Coming In On A Wing And A Prayer | Anne Shelton | E♭ Major | 3 | 5B | 105 BPM | ||
| I'm the Singer, You're the Song I Sing | Hal David, John Cacavas | E♭ Major | 3 | 5B | 100 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| All Of Me | Martha Tilton | F Major | 1 | 7B | 124 BPM | ||
| At Last | Charlie Spivak & His Orchestra | A Major | 2 | 11B | 81 BPM | ||
| Moonlight In Vermont - 1945 Version | Margaret Whiting | E♭ Major | 2 | 5B | 72 BPM | ||
| Buttons and Bows - The Paleface 1948 | Bob Hope | D Major | 4 | 10B | 145 BPM |