On March 21, 1984, the song "ミッドナイト・エンジェル" was released by Hi-Fi Set. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "POPS BEST SETTING". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. Based on our statistics, ミッドナイト・エンジェル's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With ミッドナイト・エンジェル by Hi-Fi Set having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tokai | Taeko Onuki | F Minor | 8 | 4A | 98 BPM | ||
| Lazy Night - 2018 Remaster | Makoto Matsushita | D♭ Major | 6 | 3B | 121 BPM | ||
| Midnight Pretenders - 2022 restored version | Tomoko Aran | C Minor | 6 | 5A | 93 BPM | ||
| スノッブな夜へ | Yurie Kokubu | G Major | 8 | 9B | 110 BPM | ||
| 人はそれぞれ | 笠井 紀美子 | E Minor | 1 | 9A | 85 BPM | ||
| こぬか雨 | Ginji Ito | B Minor | 4 | 10A | 129 BPM | ||
| SCRAMBLE CROSS | S. Kiyotaka & Omega Tribe | G Minor | 6 | 6A | 124 BPM | ||
| 電話しても - 2012 Remaster | Kazuhito Murata | D♭ Minor | 8 | 12A | 122 BPM | ||
| Yours | Yuki Saitou | G Major | 4 | 9B | 104 BPM | ||
| ティー・フォー・ワン | Rajie | C Minor | 8 | 5A | 119 BPM | ||
| I KNOW PARADISE | The Platters | B Minor | 5 | 10A | 116 BPM | ||
| Sunset Road | 高橋玲子 | D♭ Minor | 6 | 12A | 104 BPM | ||
| Temptation (誘惑) | Minako Honda | F Minor | 7 | 4A | 118 BPM | ||
| 1984 (西暦2000年に向けて) - 2012 Remaster | Junko Yagami | F Minor | 8 | 4A | 115 BPM | ||
| HEART to HEART | Rajie | F♯ Minor | 5 | 11A | 90 BPM | ||
| IMAGE CHANGE | Hitomi Tohyama | F♯ Minor | 5 | 11A | 103 BPM | ||
| LAST GOOD-BYE | Tatsuhiko Yamamoto, クロス・ビート | F♯ Major | 4 | 2B | 105 BPM | ||
| PAY DAY | EPO | F Minor | 6 | 4A | 108 BPM | ||
| Last Summer Whisper | Anri | E Major | 5 | 12B | 79 BPM | ||
| 我がままなハイヒール - Non Stop Mix ver. | Kaoru Akimoto | G Major | 9 | 9B | 102 BPM | ||
| 感じるままに | Kei Ishiguro | D Major | 6 | 10B | 103 BPM | ||
| Lusia | 黒住憲五 | C Minor | 7 | 5A | 134 BPM | ||
| ゴンドラ・ムーン | Yu Hayami | C Minor | 9 | 5A | 128 BPM | ||
| Good-Bye - 2021 Remaster | Hitomi Tohyama | A Major | 5 | 11B | 173 BPM | ||
| 素敵なフィーリング | Rajie | E Major | 5 | 12B | 141 BPM |